Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1

Missae Josquin, 520 , 529


Missae Quatuor concinate ad ritum Concili Mediolani (Ruffo), 650 , 651


Missa Gloria Tibi Trinitas (Taverner), 612 –13, 614 , 672


Missa Hercules Dux Ferrariae (Josquin), 560 –63, 696


Missa L’Homme Armé (Basiron), 493 , 494 , 501


Missa L’Homme Armé (Busnoys), 486 –93, 494 , 495 , 497 –98, 499 , 500 , 501


Missa L’Homme Armé (Du Fay), 497 –99


Missa L’Homme Armé (Faugues), 493


Missa L’Homme Armé (Morales), 634


Missa L’Homme Armé (Obrecht), 493


Missa L’Homme Armé (Tinctoris), 484


Missa L’Homme Armé super voces musicales (Josquin), 499 –500, 520 , 529 , 530 –34, 634


Missa O magnum mysterium (Palestrina), 643 –49


Missa Pange lingua (Josquin), 555 –57, 566 , 641


Missa Papae Marcelli (Palestrina), 649 , 650 , 653 –63, 673 , 680 , 684 –85, 724


polychoral  arrangement of,  782

Missa parodia. See Missa ad imitationem style


Missa Prolationum (Ockeghem), 477 –78, 480 , 529 , 641


Missa pro Victoria (Victoria), 788 –90


Missa Quant j’ay au cuer (Isaac), 543 –44, 545


Missa Repleatur os meum laude (Palestrina), 636 –41


Missarum liber primus (Palestrina), 633 , 634


Missarum liber secunds (Palestrina), 633 , 634 , 649


Missarum liber tertius (Palestrina), 635 –37, 653


Missa Sancti Jacobi (Du Fay), 434 –35, 436 , 437


Missa Se la face ay pale (Du Fay), 532


Missa super Ave Maria (Févin), 574 –76


Missa super La Spagna (Isaac), 623 –25


Missa super L’Homme Armé (Palestrina), 634 , 635 , 635 –37


Missa super Ut re mi fa sol la (Palestrina), 634 , 635 , 653


mixed mode (modus mixtus), 83


Mixolydian mode, 89 , 479 , 509 , 627


Mixolydian scale, 99


mnemonic (mnemotechnic) devices, 39 , 60 , 162


Guidonian   hand    as,  102 –3,     103 ,   104
modal theory origination as, 78 , 185 –86

Mo. See Montpellier Codex,

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