Music from the Earliest Notations to the Sixteenth Century

motetti missales, 518 –26, 530 –31, 583 , 584

motivic development, 555 , 614

motto, 535 , 572

paraphrase,  501 ,   503

Mout me fu grief/Robin m’aime (French motet), 233

Mouton, Jean, 555 , 589 , 602 , 603 , 632 , 786

Mozarabic chant, 63 –64

Mozart, Wolfgang Amadeus, Mass setting of, 54

Muhammad II (the Conquerer), Ottoman Sultan, 484

Munich, 572

Lasso   in,  713 ,   714 ,   717

Musae Jovis (Gombert), 589

Musae sioniae (Praetorius), 765 –66, 767 –68

Musée Condé (Chantilly), 342

Muses, 804

Musica, 69 –76, 148 , 248 , 552

cosmology   of,  70 –71,     71

illuminated manuscript,  71 ,    71

late    classical   texts   on,  69 –72

Missa   L’Homme Armé    unity   and,     495 –96

music   differentiated  from,    71 ,    495 –96

Musica (Hermann), 99

musica cum littera, 199 –205. See also motet

Musica dei donum (Clemens), 709 , 710

Musica disciplina (Aurelian), 76

Musica enchiriadis (Frankish treatise), 17 , 44 , 45 , 46 , 47

polyphony   and,     148 ,   149 ,   151 –52,    153 ,   154 ,   435

musica falsa. See musica ficta,

musica ficta, 273 –76, 291 , 293 , 343 , 512 , 596 , 597 , 628 . See also chromaticism

musica humana, 70 , 71

musica instrumentalis (audible music), 70 , 71

Musical Angels (d’Alessandro), 267

musical entertainments. See also concert

musical expression,

affective   style   and,     738

madrigal    and,     724 –51,    815 ,   816 ,   821

principle   of  “objective,”     798

rhetorical  embellishment   and,     816 –17,    821