Notre Dame codices, 171 –86, 209 , 209 –11, 210 , 211 , 212 , 217
Notre Dame de Paris, 169 –205
Albertus as cantor of, 165 , 172
construction of, 120 , 169
interior of, 170
liturgical music composition and, 89 , 171 –86, 646 , 679
Mass setting for, 310
Ockeghem as cantor of, 455
University of Paris and, 170 , 172 , 174 , 175 , 196
Notre Dame school, 171 –205, 212 , 214 , 217 , 291 , 347
conductus settings of, 173 –74, 198 –205
English motet and, 513 –14
English students and, 397 , 403
first measured Western music from, 184
four codices of, 177 , 179 , 180 , 181 –83, 184 , 186
Perotin vs. Leonin generation and, 186 –87
polyphonic organum cum alio and, 186 –205
polyphonic organum duplum and, 171 –86
rhythmic practices of, 175 –86, 214 , 215
noumenal music, 827
Nouveaus des amoureus, Les (Machaut), 289
Nova, nova, ave fit ex Eva (carol), 420
“Now is the month of Maying” (Morley), 746 , 747 –48
Noyers, Jean de. See Tapisier,
nuba (nawba), 108
Nu is du Betfart so here (Geisslerlied), 134
Numbers, Book of, 399
number-sound relationship, 38 , 41 –42
number symbolism, 284 –85
Nuove musiche, Le (Caccini), 812 –13, 816 , 821 , 823
preface to, 816 –17
Nuper rosarum flores (Du Fay), 282 –85, 429 , 441 , 507
Nuremberg, 728 , 765
Lochamer Liederbuch and, 701
master singers, 139
O
objectivity, musical representation and, 798