orchestration,
Gabrieli (Giovanni) and, 792
origins of, 782 –86Order of the Golden Fleece, 484 , 485 , 495
Ordinary, 53 –60, 58 , 60 –63, 310 , 322 , 324 , 460
Avignon settings of, 310 –14, 331
Byrd’s settings of, 679 –89
components of, 53 –54
earliest setting of, 307
English Old Hall manuscript, 409
Frankish standardization of, 53 –60
French-Cypriot settings of, 345 –49
instrumental music extracted from, 543 –44
Isaac and, 622 –24
Kyriale (chant book), 58 , 322
Machaut setting of, 307 , 317 –26
Nicolaus de Radom and, 348
ordo, 61
paired settings of, 311 –12, 460 –61
Palestrina’s 104
settings of, 632 , 633
performance practice of, 310
polyphonic, 54 , 307 , 308 –14, 324 , 325 –26, 512
standard settings of, 488
Taverner setting of, 612 –14
votive Masses and, 314 –26, 460
votive motet substitutions in, 518 –26ordo, representation of, 176
Ordo virtutum (Hildegard), 93
Orff, Carl, Carmina burana, 138 –39
organ music,
basso continuo and, 780 –81
canzona adaptations as, 787 –96
chanson arrangements as, 786
as choral accompaniment, 780 –81
earliest extant manuscript of, 306
English Reformation and, 672