Music from the Earliest Notations to the Sixteenth Century

urbanization    and,     120 ,   169 ,   207

Parisian chanson, 706 –9, 711 , 714 , 786

Parisian sequence (Victorine), 90 , 91

Parisian-style music books, 171

Paris University. See University of Paris,

parody (humor), 389

parody Masses, 572 –76, 593 , 641 –44, 710 , 788 –89

parody (musical appropriation),

of  Josquin motet,   572 –76,    593

See also    contrafactum;   parody  Masses

parody (polyphony), 314 , 574

Du  Fay and,     512

See also    contrafactum

Parrish, Carl, 157 –58

partbooks, 539 –44, 709 , 710

commercial  printing    of,  542 ,   691 –92

Germany and,     701

organ   accompaniment   and,     781

Parisian    chanson and,     709

part-song,

Dowland and,     742

Dunstable   and,     427 ,   429

Ganassi treatise    and,     698

Italian frottola,    666 ,   694 –95

Italian laude,   691

printing    of,  694 –95,    698 ,   699

singing etiquette   of,  709

parvus. See low style,

Parzival (Wolfram), 138

Paschal Time, 24 , 686 –87

passaggii, 817

passamezzo (ground bass), 626

passamezzo antico (ground bass), 626

passamezzo moderno (ground bass), 626 , 627

passing tones (counterpoint), 430

Passion, Counter Reformation settings of, 775 –79, 832

Passover seder, 13

pastorals, 722 –73