Music from the Earliest Notations to the Sixteenth Century

meters  of,  5 ,     175 ,   191 ,   197

motet   and,     218 –19,    255 –60,    742

music’s relationship    with,    337 ,   550 ,   738

music’s separated   from,    351

prosodic    accents and,     14

recitation  formulas    for,     697 ,   698

rhyme   patterns    of,  43 ,    89

roundeau    form,    122 –24

troubadours and trouvères   and,     98 –99,     107 –45,    351

vernacular,  3 ,     99 ,    106 –7,     351 –85,    459

Pöhlmann, Egert, 33 , 34

point shape (punctum), 131 , 214

Poitou, Duchy of, 106

Poland, 728

ars subtilior   and,     346 –49

partitions  of,  347

Policraticus (John of Salisbury), 172

political thought,

artistic    expression  and,     653 ,   673

artistic    style   judgments   and,     145

English Civil   War and Restoration and,     132

medieval    allegiances and,     141 –42

motet   as  satirizing,  255 –69

motet   as  vehicle for,     277 –81

politics of patronage. See patronage,

Poliziano, Angelo, 823

polychoral style, 776 –82, 791

polymeter, 337 –38

polyphony, 145 , 147 –68

accelerated development of,  148 ,   149

Adam    de  la  Halle   works   and,     122 ,   123 ,   142 ,   291

ancient origins of,  147

Anglican    “stripped   down,”   672

Aquitanian  monastic    centers and,     156 –62

Byrd    and,     670 ,   679 ,   680

cadential   progression and,     276 –77

Calvinist   church  service ban on,  755