Music from the Earliest Notations to the Sixteenth Century

interior    view    of,  611

organ   lofts,   611

polychoral  style   and,     779 –81

St. Martial abbey (Limoges), 51 , 52 , 111

polyphony   manuscripts,     157 ,   159 ,   160 –61,    162 ,   171

St. Martial troper, 51 , 52

St. Martin abbey, 71

St. Martin of Tours Church (Loire valley), 455

St. Petersburg, Adam’s Jeu de Robin et de Marion revival in, 127 , 128

St. Peter’s Church (Rome), 3 , 6

saints,

feast   days,    12 ,    23 ,    24 ,    25 ,    26 ,    37 ,    38 ,    42

votive  antiphons   to,  94

St. Stephen’s Church (Venice), 607

St. Swithin abbey (Winchester), 155

St. Thomas Church and School (Leipzig), 763 , 768

St. Victor abbey (Paris), 89 , 170 , 175

Salimbeni, Ventura, 803

Salisbury Cathedral, 465 , 466 , 672

Salvator mundi Domine (contrafact), 436 , 437 , 439 , 441

Salve Regina (Adhémar attrib.), 96 , 97 –98, 99 , 102 , 103 –4, 110 –11, 118 , 501 , 502 , 533

Machaut motet   and,     270 –73

Salve Regina (Basiron), 501 –4

Salve Regina (Cornysh), 513 –18

Salve Regina (Ockeghem), 504 –6, 517

Salve scema/Salve salus (Dunstable), 424 –25, 427 –29

same-rhythm. See isorhythm

Sancta Maria virgo, intercede (Marian antiphon), 407

Sanctus, 54 , 310 , 311 , 313 , 314 , 646 –47

Agnus   Dei pairing with,    461 ,   758

Caput   Mass    and,     470 ,   482 ,   493

chorale replacement for,     758

in  Mass    ordo,    61

Missus  L’Homme Armé    and,     493 ,   494 ,   495

Palestrina  Missa   O   magnum  mysterium   and,     647 –48

Palestrina  Missa   Papae   Marcelli    and,     656 –57

Power   and,     463 ,   464 –65

“Roy    Henry,”  417 –18