Music from the Earliest Notations to the Sixteenth Century

SS. Giovanni e Paolo (Isaac/Medici), 823 , 827 , 834

Stabat juxta Christi crucem, 394 , 396

Stabat mater dolorosa (chant sequence), 134 , 394

staff,

intervals,   29 –30,     35 ,    73

invention   implications,    105

invention   of,  16 ,    102 ,   105 ,   153

letter  names   of,  75

medieval    modal   scale   and,     75 –76

mnemonic    device  and,     102 –3

modern  notation    and,     74

neume   arrangement on,  16 ,    62 ,    99 –100

notation    prior   to,  60 ,    93 ,    115

“Stairway   to  Parnassus”  (Fux),   667 ,   669

stamping songs (estampie), 294

standard of perfection. See ars perfecta

stanza,

Ambrosian,   49

bar form    and,     118

bergerette  and,     526

canso/ballade   structure   of,  349 ,   694 –95

lai and,     119

madrigal’s  single,  352 ,   724 ,   813

refrain insertion   of,  221

repetition  of,  813

Star of Bethlehem, 399

“Star-Spangled Banner, The” (American national anthem), 409

stems, note, 260 –61

Stephen II, Pope, 2 , 38

Stevens, John, 420

sticherons, 33 –34

stichic principle, 12 , 20 , 23 , 24 , 48

stile antico, 667 , 669 –70, 687

ars perfecta    as,  831

Fux rules   of,  667 ,   669

stile da cappella. See stile antico,

stile moderno, 667 , 669 , 687