See also tenor voice
Tenorlied, 701 –6, 717
Lutheranism and, 756 , 758 , 760
tenor tacet pieces, 543 , 544
tenor voice in SATB voice-part range, 468
tenso (debate-song), 115 –16
jeu-parti equivalent, 121
motet and, 226
tercet,
madrigal, 352 , 356 , 359 , 360 –61, 363 , 374 , 377
rhymed, 89
termination (terminatio), 20
ternaria, 176 , 177 , 187 , 197 , 217
terzetti, 363
tessitura, 76
tetrachord (fourth), 70 , 74 , 75 , 77 –78, 79 , 83
augmented, 40 , 152
disjunct/conjunct, 78 , 151
as dissonance, 153
equivalence, 495
hexachord and, 99
parallel doubling at, 152
as “perfect” interval, 149
See also diminished fourth; perfect fourth
text. See syllabic text; words-music relationship
texted Agnus Dei, 520
texted discant. See motet
texted Kyrie, 58 , 59
texture,
ballata and, 368
Janequin’s chansons and, 711 –12
Machaut luxuriant style and, 318 , 325
madrigal and, 356 , 374
Missa Caput and, 466
musical space and, 577 , 579
Notre Dame polyphonic integration and, 171 –205
Tenorlied and, 758
top-down cantilena and, 312 –13