Music from the Earliest Notations to the Sixteenth Century

9 The strongest exponent of this view, both in scholarship and (with his ensemble, Gothic Voices) in performance, has been Christopher
Page. See his Voices and Instruments of the Middle Ages (London: Dent, 1986). For a stimulating and wide-ranging critique of the
attendant debate, see Daniel Leech-Wilkinson, The Modern Invention of Medieval Music (Cambridge: Cambridge University Press,
2002).