100 Great Artists

ISS7

,,"-'"

1 90f

1906

1907

1908

1909

19 10

1911

19 12

/9/1

1914

AUGUSTE MACKE

B()rR in iI/,xb.d.,

ron "I a ,neil

min"r

Srudi" ar' al

Dii",/t1Jrf

AJ:i>d,,"i.

VITj" Italy.

Anmd, Biaiin

,,,,bib,!.,,, in

H,jddkrg

Vi,;" B,Igi/,m,

Nnb..-/alUJ, and

Likloon.

Vi":,, Pari,.

influmadby

' mpr",.mirtI.

M",.,.,. to 8.,.1111,

f1Iuli" untkr

Corintb

Vi":,, /Ullyand

Pari,

MarTi" EJifllil<,b

GN"bard,

Birrb<!_

JI'iJ,,~ ill""

Marc. ]m;:kmry

and K","Jimryin

M"nith·1"''''

Dcr Rhuc Rei""

MU/J Ernn and

KI« in B(Jt/R

Vi,;tJ Ddau""y in

Pari, ,;,j,b Marr

Binh if ron

Ji'''''JK''''g in Bonn.

Vi,;, fro.n

!"Rla"""y and

ApoOiTllli"

VITj" Tun;,i" t."i,b

1<1«. Dj" in hatt/.

at P"1b.~·I"_

Hurl",

Pi e rro! (/9/J)

AJ'b<JUgh gmmdly Fllttt'ist inbi,ro/iJluingand Cubi" in fix'"' 111...-,1-,.

bad RiJI Y" bad "m, to "mlni/a" aU 'k ;"fI"n/in k biNI ", .. UrIU,-.,}

during hi, In"' Ii .. parr ii' Il paint"

A

uguste M acke w .. s Iud)" enough t() particularly s}"lll'"he,ic to the c<~()."

min)" financial s<"CUri'r. and waS ~Iw .. y< harmonies of the O 'l'hic Cubist Delaunay.

ITtt to study and tr,,·el. l ie ~I<" Vin ....! '\\"cke nlOk an independent line with the ~n

the p"ronage of his wilf,'s unde, lkmha, d "fhis time. IIi. inll:""" wCTe figur."i,·e n"'· .....

Koehle" in return for ad"is ing him on hi. m}sticol, u<ing !'ight colour in b",.d outlin ....!

a"c"lI",tion. a, cas, and s<'m<~imes avin" a multicolour ....!

,\ladee fir$! S3w Impressionist p.intings in mO'.ticin the"rleofDcbunay.

Pa, is in 1907. Then. in ,\ I unich in 1909 , he m.... O n E ... ",r ,\Ion(by, 1914 , KI<"t: ""d ,\Iade

Kan.Hns ky and ,\la,c, "J'~Jundcrs of the a, rin,1 in the Tunisi"" ,m.ge of Sidi Roo Said.

Exp",«ioni" group /"Nr Blau, R,jur (RI uC ,\ lade sl .... ch,,] the ou,,"de of ~ cofe befo.e they

Rid ..... ) ""d wotied with them to 1''''1''''' the hurried on elsewhe"'. Six months bll:' he was

alman.c ~"thei, firSt exhibition. \""~hin. fL'w kill,,! in action. Ilis friend ,\Ia", _ who would

rca, s , through f«-quent tr.",1 and pe, sonal mttt the same !itte two )"C3.rS on _ w,nt C this

"'nt""'S, ,\ lade h.d cn",wltCTed e,cry m'ior '1'i"'I"" ' \ \<: p,int<1"S Imow .. he V"e ~ brib<ht .....

modern ~" o"""lIlen!: the F,en<'h Fa",·e. .nd pure, sound to "'lour than any of

(i,..,luding'\\21 isse) , the Cuhis11l ofPi",~ssoa nd us, he V"e it the dar.y and !'ightncss of hi.

R'"'que, ""d the Itali.n FuturistS. Ile,..os wh(~ebeing.'