1798 B()rn and raimJ '"
Rln </ a
g""<rnnr<RI
mini,ur, pOIJibJy
TIIllUml ",n </
TalkFand18H SlUdS" ","kr Nro-
darrian GUmn,
mutI (".iri'IlkU
1816 Ent,.,-, L '£COl, d"
B,aux.-ArtI, mutI
Bonington(^1822) Finr "«'1"_' ill
Pari,Sakm
182f Vi,i" Boning",n in
England, ",ah,
li'rograpb!
1811 At::ardd LLgi(Jfl 01
HOTlllur
18n &,..II Frnl<b
AmromMor '"
Maroc'"
18Hn Pain" ",any
pom-ai,
'(6"mim'ont
1818-+1 iJ«oram-pan 01
Palai"Ju
LUXN"ruurg
18fO--fI im()ramailingol
ApoUo Galhy in
Lo"''',
18H Sro"~ 48 "",*, al
Pari, Unit~",,1
Erbibiaon
(^180) EJro:ro '" r,mtb
h"~'!tlu
1861 Fini,l1<, mural, for
cburtb </ Saint
Sulpia, Pari,
1861 Di" </ !tlhffrnlo,i,
in Pari,
DELACROIX
Women of Algiers (d""i!) (/814)
In 18 J2, Ddacroir 1;:a! among Ib, r"i~", ""mdSng ,b, Frnl<b
AmNDiloorft'i,i, '" ,b, Sul'an </ Maroa", and 11< fr'qumt/y tirro:! "P'"
,b, '''/''Yin/a for inrpira,i",,_ Thi! tkUlii 00"0""17"" ,11< ucbniq'u
atiopud by i'NlalToir, an" """n.'ng Co""ah/,', Un </ 'dit-itkd ,o/our' and
iII "brant 1fim
E
u~nl: Dd'U:Toix IJtid"d him«::lf on the
<1'1:<,1 .. which he could work: 'skilful
enough to sletch. man f.lling Out of.
win,k",,' during the bml: it ttles him to get ,.n,
thl: ground: And notonlydid he luim. ho: 10 "",1
music. ",~d ",ide~'. and wmII: flscinating k~t"'<
- nd iournalsabo", his lill: .nd times,
Dd""'oix Studi",1 with G<'rie.ult undl:'
C ue,in ~nd subs.::qucntly 1 1O«::d ~" his friend as
the I'mnl: figure On the Raft _/rb, U"/ru,,, Tne
I'icrurl: 1'""id<,1 impetus to Ddacmix's Own
"'cati"itJ-' hut he nen'" =<1",,,1 the Romantic
hho:l. obstinately insiSting that hI: ",'as '"
I'u", dassicist'. I-Ie grcatly adm"",1 and <:'<'l'i<,1
,\Iiehdangelo. Vewt>CSC ",.1 Rubens in thl:
LO"'TC. and alwar< made ""y """,ful
IJt<l"rot<Jty d"'''''ings.
Lil1<rty L,ading ,11< P,op/' is Dd~c",ix's
110 Iiticai maslI:'l'itte. an ~lIego'r l',int",1 in the
w.le ofthl: 1830 Paris r<~'(~ution. l ie includ,,1