The Golden Age of the Dutch Republic^237
Dike breach at Caevarden. Because so much land had been reclaimed from the
sea, many of the Dutch lived in chronic fear of flooding.
brought by weather. A good part of the Dutch Netherlands would have been
under water were it not for the famous dikes. These occasionally broke with
catastrophic consequences long remembered (a flood in 1421 had claimed
over 100,000 lives). A sense that disaster might be looming was reflected by
the popularity in the Republic of novels and histories about disasters. This
may explain the sense of solidarity and patriotic duty that brought people of
various classes together against Spanish rule.
Seventeenth-Century Dutch Culture
Dutch painting in the golden age of the seventeenth century reflected not
only the Republic’s commercial wealth, but also its toleration and openness
to secular styles and subject matter. The Dutch press enjoyed relative free
dom; books were printed in the Republic that could not have been printed
elsewhere. The first English and French newspapers were published in
1620, not in London and Paris, but in Amsterdam. Dutch publishers dif
fused knowledge of the Scientific Revolution (see Chapter 8). Dutch writers
and poets discovered their own language, translated Latin authors, and pop
ularized Dutch accounts of the revolt against Spain.
Dutch painting reflected the prosperity and taste of the middle class. Like
the artists of the Renaissance, Dutch painters depended on the patronage of
people of means, particularly wealthy Amsterdam merchants. Although Delft
and several other towns each claimed their own style, the great port of Ams
terdam dominated the art market. Some shopkeepers and craftsmen were