Classical Mythology

(Marvins-Underground-K-12) #1

THE MYCENAEAN SAGA 435


SELECT BIBLIOGRAPHY


Herington, C. J. Aeschylus. New Haven: Yale University Press, 1986.
Lloyd-Jones, H. The Justice of Zeus. 2d ed. Berkeley: University of California Press, 1983.
Vermeule, Emily. "Baby Aegisthus and the Bronze Age." Proceedings of the Cambridge
Philological Society 38 (1987), pp. 122-152.


NOTES


  1. These tales are brilliantly discussed by Walter Burkert, Homo Necans (Berkeley: Uni-
    versity of California Press, 1983), pp. 83-109, part of his chapter entitled "Werewolves
    around the Tripod Kettle."

  2. The Greek phrase is obscure. Cassandra refers to the instrument of the murder, ei-
    ther a sword or an axe, one or the other of which appears in different poetic accounts
    and vase paintings of the murder.

  3. The Areopagus was the court at Athens that heard homicide cases; its members were
    former archons, that is, state officials. The court had been a center of political con-
    troversy shortly before Aeschylus produced his play.

  4. Apollo's argument that the child's begetter is the father not the mother because the
    mother is only the nurse of the newly sown seed need not be interpreted as a man-
    ifestation of Greek misogyny, as Mary R. Lefkowitz so clearly perceives in Women in
    Greek Myth (Baltimore: Johns Hopkins University Press, 1986), pp. 122-123: "[Apollo]
    is acting as an advocate for a person accused of matricide; had Orestes been accused
    of killing his father to avenge his mother, Apollo might well have said what Aeschy-
    lus has the Erinyes say about the primacy of maternal blood ties. The role of the fe-
    male in conception, of course, was not clearly understood; opinions varied about
    whether the female seed present in the menstrual fluid contributed to the appearance
    and character of the child.... But no Athenian audience would have believed that
    Apollo's argument was conclusive. ... In fact, the jury in Aeschylus' drama gives
    Apollo and the Erinyes equal votes, and it is only because Athena, who was born
    from her father Zeus without a mother, casts her vote for Apollo that Orestes is ac-
    quitted."

  5. In Euripides' drama Orestes (408), Orestes is condemned at Argos for the murder of
    his mother but saves himself by taking Hermione hostage. Apollo orders Orestes to
    marry Hermione and foretells his acquittal at Athens. Versions of Orestes' marriage
    to Hermione, including Euripides' Andromache (ca. 430), are discussed earlier in this
    chapter.

  6. For comparative examples, see George Thomson, Aeschylus and Athens. 3d ed. (Lon-
    don: Lawrence & Wishart, 1996), p. 449.

  7. The child of Clytemnestra and Aegisthus was Erigone, the theme of a lost play by
    Sophocles and mentioned by the early cyclic poet Cinaethon.

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