326 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II
Listening Guide 13.3
Afro-American Symphony, fi rst movement (Moderato assai)
WILLIAM GRANT STILL
CD 2.16
date: 1930
performers: Fort Smith Symphony; John
Jeter, conductor
genre: concert music
meter: duple
form: sonata form
WHAT TO LISTEN FOR
- use of sonata form
- 12-bar blues structure for the fi rst theme of
the movement - reference to the spiritual in second theme of
the movement - colorful orchestration, including solo English
horn and Harmon mutes for trumpets
timing section subsection comments
0:00 introduction Solo English horn sets pensive mood.
0:27 exposition fi rst theme 12-bar blues theme in solo trumpet with Harmon
mute; lightly syncopated blues harmonies in
French horns.
1:04 Blues theme repeats in clarinet, with call-and-
response answers in fl ute and piccolo.
1:47 transition Blues theme motive in violins. Increasing agitation
with movement to new tonality.
2:24 second theme a New theme, in aba form, in oboe, emphasizing the
notes of the pentatonic scale and suggesting the
style of a spiritual.
2:58 b Slightly faster and in minor, as violins extend the
spiritual melody, then relaxing with fl ute ensemble
and return to major.
3:25 a Melody in cellos, followed by a minor-key variation in
the harp; exposition ends softly in G minor.
3:55 development Suspended cymbal begins the development, with a
short transition to the minor key.
4:08 Violins and French horns trade off new melody,
related to opening blues theme.
4:39 Climax, with full orchestra at its highest dynamic.
Tension subsides gradually: brass drop out,
followed by solos for English horn, clarinet, then
bass clarinet accompanied by celesta.
5:10 recapitulation second theme Spiritual theme, now in the violins and in tonic key
but in minor.
5:46 transition Bassoons begin transition; then strings take up a
slow shuffl e rhythm, reinforced by a snare drum
played with wire brushes and a soft backbeat on
the suspended cymbal.
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