FURTHER READING 553King, Geoff, and Tanya Krzywinska. Science Fiction Cinema: From
Outerspace to Cyberspace.London: Wallflower, 2000.
Pinedo, Isabel Cristina. Recreational Terror: Women and the
Pleasures of Horror Film Viewing.Albany: State University of
New York Press, 1997.
Tudor, Andrew. Monsters and Mad Scientists: A Cultural History of
the Horror Movie. Oxford: Blackwell, 1989.
Wells, Paul. The Horror Genre: From Beelzebub to Blair Witch.
London: Wallflower, 2000.
Movie Makes and Remakes
Forrest, Jennifer, and Leonard R. Koos, eds. Dead Ringers: The
Remake in Theory and Practice. Al bany: State University of New
York Press, 2002.
Horton, Andrew, and Stuart Y. McDougal, eds. Play It Again, Sam:
Retakes on Remakes. Berkeley: University of California Press,
1998.
Zanger, Anat. Film Remakes as Ritual and Disguise: From Carmen to
Ripley.Amsterdam: Amsterdam University Press, 2006.
Melodramas
Gledhill, Christine, ed. Home Is Where the Heart Is: Studies in
Melodrama and the Woman’s Film. London: BFI, 1987.
Mercer, John, and Martin Shingler. Melodrama: Genre, Style,
Sensibility. New York: Wallflower, 2004.
Musicals
Altman, Rick. The American Film Musical. Bloomington: Indiana
University Press, 1987.
———, ed. Genre, the Musical: A Reader.London: Routledge &
Kegan Paul, 1981.
Barrios, Richard. A Song in the Dark: The Birth of the Musical Film.
New York: Oxford University Press, 1995.
Cohan, Steven, ed. Hollywood Musicals, the Film Reader. New York:
Routledge, 2002.
Feuer, Jane. The Hollywood Musical. 2nd ed. Bloomington: Indiana
University Press, 1993.
Fordin, Hugh. The World of Entertainment: Hollywood’s Greatest
Musicals.Garden City, N.Y.: Doubleday, 1975.
Smith, Susan. The Musical: Race, Gender and Performance.London:
Wallflower, 2005.
Science-Fiction Films
Hardy, Phil, ed. Science Fiction. London: Aurum, 1984.
Luciano, Patrick. Them or Us: Archetypal Interpretations of Fifties
Alien Invasion Films.Bloomington: Indiana University Press,
1987.
Redmond, Sean, ed. Liquid Metal: The Science Fic tion Film Reader.
London: Wallflower, 2004.
Rose, Mark. Alien Encounters: The Anatomy of Science Fiction.
Cambridge, Mass.: Harvard University Press, 1981.
Sobchack, Vivian. Screening Space: The American Science Fiction
Film. 2nd ed. New Brunswick, N.J.: Rutgers University Press,
1997.
Teen Films
Doherty, Thomas. Teenagers and Teenpics: The Juvenilization of
American Movies in the 1950s.Rev. and exp. ed. Philadelphia:
Temple University Press, 2002.
Lewis, Jon. The Road to Romance and Ruin: Teen Films and Youth
Culture.New York: Routledge, 1992.
Shary, Timothy. Teen Movies: American Youth on Screen. London:
Wallflower, 2005.War Movies
DeBauche, Leslie Midkiff. Reel Patriotism: The Movies and World
Wa r I. Madison: University of Wisconsin Press, 1997.
Doherty, Thomas. Projections of War: Hollywood, American Culture,
and World War II. New York: Columbia University Press, 1993.
Eberwein, Robert, ed. The War Film. New Brunswick, N.J.: Rutgers
University Press, 2005.
Isenberg, Michael T. War on Film: The American Cinema and World
War I, 1914–1941.Ruther ford, N.J.: Fairleigh Dickinson
University Press, 1981.
Koppes, Clayton R., and Gregory D. Black. Hollywood Goes to War:
How Politics, Profits, and Propaganda Shaped World War II
Movies. New York: Free Press, 1987.Westerns
Bazin, André. “Evolution of the Western.” In What Is Cinema?
Vol. 2. 149–157. Trans. Hugh Gray. Berkeley: University of
California Press, 1971.
Buscombe, Edward, ed. The BFI Companion to the Western.
London: BFI, 1988.
———. 100 Westerns. London: BFI, 2006.
Cawelti, John. The Six-Gun Mystique. 2nd ed. Bowling Green, Oh.:
Bowling Green State University Popular Press, 1984.
Davis, Robert Murray. Playing Cowboys: Low Culture and High
Art in the Western. Norman: University of Oklahoma Press,
1991.
Frayling, Christopher. Spaghetti Westerns: Cowboys and Europeans
from Karl May to Sergio Leone. Rev. ed. London: Tauris, 2006.
Hardy, Phil, ed. The Western. 2nd ed. London: Aurum, 1991.
Hughes, Howard. Spaghetti Westerns. Harpenden, Eng.: Pocket
Essentials, 2001.
Kitses, Jim. Horizons West: Directing the Western from John Ford to
Clint Eastwood. New ed. London: BFI, 2004.
Saunders, John. The Western Genre: From Lordsburg to Big
Whiskey.London: Wallflower, 2001.
Tompkins, Jane. West of Everything: The Inner Life of Westerns.New
York: Oxford University Press, 1992.
Wright, Will. Six Guns and Society: A Structural Study of the
Western.Berkeley: University of California Press, 1975.Women’s Films
Bean, Jennifer M., and Diane Negra, eds. A Feminist Reader in
Early Cinema. Durham, N.C.: Duke University Press, 2002.
Butler, Alison. Women’s Cinema: The Contested Screen. London:
Wallflower, 2002.
Doane, Mary Ann. The Desire to Desire: The Woman’s Film of the
1940s.Bloomington: Indiana University Press, 1987.
Kaplan, E. Ann. Looking for the Other: Feminism, Film, and the
Imperial Gaze. New York: Routledge, 1997.
LaSalle, Mick. Complicated Women: Sex and Power in Pre-Code
Hollywood.New York: St. Martin’s Press, 2000.
Mayne, Judith. The Woman at the Keyhole: Feminism and Women’s
Cinema.Bloomington: Indiana University Press, 1990.
Modleski, Tania. Loving with a Vengeance: Mass- Produced Fantasies
for Women. 2nd ed. New York: Routledge, 2008.