An Introduction to Film

(Marvins-Underground-K-12) #1

Costume, Makeup, and Hairstyle
Annas, Alicia. “The Photogenic Formula: Hairstyles and Makeup
in Historical Films.” In Hollywood and History: Costume Design
in Film. 52–77. Ed. Ed ward Maeder. New York: Thames &
Hudson, 1987.
Corson, Richard, Beverley Gore Norcross, and James Glavan.
Stage Makeup. 10th ed. Boston: Pearson, 2009.
Head, Edith, and Jane Kesner Ardmore. The Dress Doctor. Boston:
Little, Brown, 1959.
Head, Edith, and Paddy Calistro. Edith Head’s Hollywood. New
York: Dutton, 1983.
Kehoe, Vincent J.-R. The Technique of the Professional Make-up
Artist for Film, Television, and Stage. Boston: Focal Press, 1985.
Landis, Deborah Nadoolman. Dressed: A Century of Hollywood
Costume Design. New York: Collins Design, 2007.
Leese, Elizabeth. Costume Design in the Movies: An Illustrated Guide
to the Work of 157 Great Designers.New York: Ungar, 1976.
Maeder, Edward, ed. Hollywood and History: Costume Design in
Film. New York: Thames & Hudson, 1987.
Moseley, Rachel, ed. Fashioning Film Stars: Dress, Culture, Identity.
London: BFI, 2005.
Pidduck, Julianne. Contemporary Costume Film: Space, Place and
the Past. London: BFI, 2004.
Vinther, Janus. Special Effects Make-up. New York: Routledge,
2003.


International Styles of Design
Bergfelder, Tim, Sue Harris, and Sarah Street. Film Architecture
and the Transnational Imagination: Set Design in 1930s
European Cinema. Amsterdam: Amsterdam University Press,
2007.
Brunsdon, Charlotte. London in Cinema: The Cinematic City since
1945.London: BFI, 2007.
Eisner, Lotte H. The Haunted Screen: Expressionism in the German
Cinema and the Influence of Max Reinhardt. Trans. Roger
Greaves. Berkeley: University of California Press, 1969.


Framing and Composition
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the
Creative Eye. Rev. ed. Berkeley: University of California Press,
1974.
———. The Power of the Center: A Study of Composition in the Visual
Arts. New version. Berkeley: University of California Press,
1988.
Braudy, Leo. The World in a Frame: What We See in Films. Garden
City, N.Y.: Anchor, 1976.
Hochberg, Julian. “The Representation of Things and People.” In
E. H. Gombrich, Julian Hochberg, and Max Black, Art,
Perception, and Reality. 47–94. Baltimore, Md.: Johns Hopkins
University Press, 1973.


Chapter 6: Cinematography


What Is Cinematography?: General
Andrew, Dudley, ed. The Image in Dispute: Art and Cinema in
the Age of Photography. Austin: University of Texas Press,
1997.


Astruc, Alexandre. “The Birth of a New Avant-Garde: Le Caméra
Stylo.” In The New Wave: Critical Landmarks. 7–18. Ed. Peter
Graham. Garden City, N.Y.: Doubleday, 1968.
Burum, Stephen, ed. American Cinematographer Manual. 9th ed.
2 vols. Hollywood: American Society of Cinematographers,
2007.
Campbell, Russell, ed. Practical Motion Picture Photography. New
York: Barnes, 1970.
Case, Dominic. Motion Picture Film Processing. Boston: Focal
Press, 1985.
Cheshire, David F. The Book of Movie Photography: The Complete
Guide to Better Moviemaking. New York: Knopf, 1979.
Coe, Brian. The History of Movie Photography. London: Ash &
Grant, 1981.
Deren, Maya. “Cinematography: The Creative Use of Reality.” In
Film Theory and Criticism: Introductory Readings. 187–198. Ed.
Leo Braudy and Marshall Cohen. 7th ed. New York: Oxford
University Press, 2009.
Enticknap, Leo. Moving Image Technology: From Zoetrope to Digital.
London: Wallflower Press, 2005.
Ettedgui, Peter. Cinematography.Woburn, Mass.: Focal Press,
1998.
Kawin, Bruce F. How Movies Work.Berkeley: University of
California Press, 1992.
Levitan, Eli L. An Alphabetical Guide to Motion Picture, Television,
and Videotape Production. New York: McGraw-Hill, 1970.
Malkiewicz, J. Kris, and M. David Mullen. Cinematography: A
Guide for Film Makers and Film Teachers. 3rd ed. New York:
Simon & Schuster, 2005.
Mascelli, Joseph V. The Five C’s of Cinematography: Motion Picture
Filming Techniques.Repr., Los Angeles: Silman-James Press,
1998.
Vertov, Dziga. Kino-Eye: The Writings of Dziga Vertov. Ed. Annette
Michelson. Trans. Kevin O’Brien. Berkeley: University of
California Press, 1984.
White, John. The Birth and Rebirth of Pictorial Space. 3rd ed.
Cambridge, Mass.: Belknap, 1987.
Winston, Brian. Technologies of Seeing: Photography,
Cinematography and Television. London: BFI, 1996.

Director of Cinematography
Almendros, Néstor. A Man with a Camera. Trans. Rachel Phillips
Belash. New York: Farrar, Straus, and Giroux, 1984.
Bergery, Benjamin. Reflections: Twenty-one Cinematographers at
Wo r k. Hollywood: American Society of Cinematographers,
2002.
Burum, Stephen, ed. American Cinematographer Manual. 9th ed.
2 vols. Hollywood: American Society of Cinematographers,
1993.
Krasilovsky, Alexis. Women behind the Camera: Conversations with
Camerawomen. Westport, Conn.: Praeger, 1997.
LoBrutto, Vincent. Principal Photography: Interviews with Feature
Film Cinematographers. Westport, Conn.: Praeger, 1999.
Maltin, Leonard. The Art of the Cinematographer: A Survey and
Interviews with Five Masters. Rev. ed. New York: Dover, 1978.
Petrie, Duncan. The British Cinematographer. London: BFI, 1996.
Rogers, Pauline B. Contemporary Cinematographers on Their Art.
Boston: Focal Press, 1998.

556 FURTHER READING

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