Moving Images, Understanding Media

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Chapter 2 Inventions and Origins 59

When you edit digitally, you look at a screen just as fi lm editors have
stared at devices such as the Moviola or fl at-bed editing machine. You are also
able to move around the pieces of fi lm in any arrangement because you can
cut them apart and piece them back together freely, just as editors did when
they had to splice and paste each segment of fi lm together by hand.

Continuity through Cutting
During the mid-1910s, directors and editors were making astonishing
progress in advancing the complexity, precision, and expressiveness of
cinematic art. By the end of this period, a range of editing traits can be
observed in numerous fi lms produced by a variety of directors. Editors
began to use match cuts to move action forward from one shot to the next.
Directors would establish screen direction by fi lming from one side of the
axis, such as the previous example of a battlefi eld sequence. Continuity
also was established in matches between the eyelines of characters looking
at each other in a scene.
When you think of a standard dialogue scene today, what comes to
mind? Th e pattern of shot and reverse shot, moving the camera from one
side of a scene to its opposite viewpoint, so that two characters looking and
talking to each other can be seen from each perspective, was also established
during this period.
How about when you see a brief close-up of a weapon that a character
is secretly taking out of a pocket in order to attack another character? Th is
example of an insert shot is fi rst seen during this period and became a standard
technique during the 1920s. A common insert from this time was a close-up
of a letter or page being read by a character. Directors oft en use insert shots
to provide a dramatic detail that adds important information, and it can be
shot separately from the primary takes with all the actors.

Figure 2-23 Twenty-fi rst
century digital editing home
studio setup of editor Ross
Martin with computer linked
to two monitors to track
picture and sound edits
and view full screen picture.
(Courtesy Ross Martin)

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