An Introduction to the Philosophy of Art

(Marvins-Underground-K-12) #1
deconstruction 128–29, 131
decoration, decorativeness 24, 75, 82,
122 – 24, 235, 272, 274, 278
definition of art 3–4, 17, 21–22,
31, 284
Beardsley’s63
historical 176– 78
narrative 176– 78
De Kooning, Willem 68
Dennett, Daniel 146
denotation 33– 34
depiction, visual 31– 44
Derrida, Jacques 129, 150, 153– 54
De Sade, the Marquis 231
Descartes, René 20, 151, 166
Dewey, John 8–9, 20, 61–63, 72–73, 96–97,
100, 113–14, 115, 156–58, 166, 169,
230, 232, 253, 273–74, 288
on expression vs. statement 51, 112
on modernity 256
on realism 49– 50
on representational potentials of media
30 – 31
on unity of form 63
Diamond, Cora 246
Dickens, Charles 242
Dickie, George 17–18, 173–75, 177
didacticism 241, 261
discharge, psychic 24, 104
disinterestedness, aesthetic 56
Duchamp, Marcel 25, 67, 87, 277
Dutton, Denis 6
Dvorak, Antonin 276

Eaton, Marcia 246
educated person 168– 69
Eisenstein, Sergei 208
Eldridge, Richard 11, 20, 45, 239, 241–43,
251
on Althusser 22, 266
on Hegel on music 39, 108
on Kant 20, 119
on tragedy 49
on Wordsworth 55
Eliot, George
Middlemarch 278

Eliot, T. S. 94–95, 140, 164
elucidation 17–21, 31, 156–63, 195, 266,
285, 287
Emerson, Ralph Waldo 110–12, 126
emotion 24, 48, 186, 200– 24
of consciousness/of thought 93– 94
entertainment 271–72, 281, 283
environmental art 275
ethicism 234– 37
envy 2–3, 14
evaluation of art 23, 167–99, 233, 286
evolution, art and 6
experimentalism 227, 229–33, 242, 260,
277 – 78, 282
expression 7, 18, 23–24, 75–114, 116, 135,
202, 288
Danto on 88– 92
Hegel on 82– 87
natural 44, 284
physiognomic-similarity theories of
98 – 103
psychodynamic theories of 92–98, 102,
104
vs. betrayal, description, arousal 94– 96
working-through theories of 103– 4
expressiveness 3

Faulkner, William 242, 283
Fanny Hill 181
Feagin, Susan 71, 207, 210–11, 217
Felski, Rita 160, 162– 63
feminism 127–28, 131–32 155, 276– 77
Fichte, J. G. 138
fiction, paradox of 202– 18
Finley, Karen 2, 225–26, 231, 235, 237, 241,
244, 279
Fish, Stanley 150–53, 165
Fleck, John 225– 26
Fleming, Victor 86
folk art 276
Foot, Philippa 239
forgery 133
form 54, 61–63, 67–68, 70, 75, 156–59,
284
Adorno on 122– 24
Beardsley’s theory of 63– 66

306 Index

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