Opera

Individual Works

Aureliano in Palmira

1581a. Two useful articles appeared in OQ15-1 (Winter 1999): Thomas Lindner,
“Rossini’s Aureliano in Palmira: A Descriptive Analysis,” 18–32, and Tom
Kaufman, “A Performance History of Aureliano in Palmira,” 33–38.
Il barbiere di Siviglia (The Barber of Seville)
ASO 37 (1981), ENOG 36 (1985).

1582. Everist, Mark. “Lindoro in Lyon: Rossini’s Le barbier de Séville.” AM 64
      (1992): 50–85.
      The libretto was rewritten in French, and changes were made in the score as
      well, for the Lyon performance (1821). The alterations are described.
      See also Scherliess (#1375) and Goldin (#1376).
      La cenerentola
      ASO85 (1986), ENOG 1 (1980).


1583. Zedda, Alberto. “Problemi testuali della Cenerentola.” Bollettino5 (1971):
      29–51.
      A genesis study, with useful citations to earlier writing about the opera.


1584. Rogers, Stuart W. “Cenerentolaa Londra.” Bollettino37 (1997): 51–68.
      A performance history of London productions.
      Le Comte Ory
      ASO140 (1991); ERO,v.16.
      Elisabetta, regina d’Inghilterra
      ERO,v.7.
      La gazza ladra
      ASO110 (1988).
      Guillaume Tell (William Tell)
      ASO118 (1989); ERO,v.17.


1585. Baggioli, Andrea. “Le fonti letterarie di Guillaume Tell.” Bollettino 37 (1997):
      5–50.
      Compares the literary sources: texts by Michel-Jean Sedaine and Antoine-
      Marie Lemierre.


1586. Cametti, Alberto. “Il Guglielmo Telle le sue prime rappresentazioni in Italia.”
      RMI6 (1899): 580–592.
      A narrative account of the opera’s successful arrival in Italy, beginning in
      Lucca, 1831.

Gioachino Antonio Rossini 301