Il Dafni
HS,v.7.
- Sartori, Claudio. “Il Dafnidi Alessandro Scarlatti.” RMI45 (1941): 176–183.
Discusses the three libretti on Dafni by Scarlatti (dating from 1700, 1701, and
1715) and gives performance information; also comments on two other set-
tings, of 1709. Brings out similarities and differences in these texts.Gli equivoci nel sembiante
OAS,v.7.
- D’Accone, Frank A. The History of a Baroque Opera: Alessandro Scarlatti’s
“Gli equivoci nel sembiante.”Monographs in Musicology, 3. New York: Pen-
dragon, 1985. x, 187p. ISBN 0-918728-21-5. ML410 .S22 D15.
A thorough account of the premiere performance (Rome, 1679), with much
attention to the libretto and to performance history. Well documented, with
sources reproduced.
La Griselda
OAS,v.3.
- Grout, Donald Jay. “The Original Version of Alessandro Scarlatti’s Griselda.”
In Essays on Opera(#72), 103–114.
Describes the alterations made in the manuscript score by Scarlatti, perhaps
before the opera’s premiere.
Marco Attilio Regolo
OAS,v.2.
Massimo Puppieno
OAS, v.5.
Mitridate Eupatore
- Westrup, Jack. “Alessandro Scarlatti’s Il Mitridate Eupatore(1707).” In New
Looks(#2429), 133–150.
A discussion, based on the Paris manuscript, of instrumentation, harmony, and
interpretative questions. Cites errors in the published edition.
Il Pompeo
HS,v.6.
La principessa fedele
OAS,v.4.
La Statira
OAS,v.9.
308 Opera