T chaikovsky, Petr Il’ich, 1773, 1774, 2634, 2636, 2642
Teatr Wielki (Warsaw), 2624, 2625
Teatro alla Scala (Milan), 2466, 2520–2522, 2525
Teatro Carlo Felice (Genoa), 2503, 2505, 2506
Teatro Colón (Buenos Aires), 2115–2117, 2120
Teatro Communale (Bologna), 2488–2490
Teatro Costanzi (Teatro dell’Opera) (Rome), 2572, 2573
Teatro dell’Opera (Rome), 2572, 2573
Teatro La Fenice (Venice), 288, 1837, 2585–2589
Teatro Massimo (Palermo), 2553–2555
Teatro Municipal (Rio de Janeiro), 2177
Teatro Petruzzelli (Bari), 2486
Teatro Real (Madrid), 2679, 2680
Teatro Regio (Turin), 2574–2576
Teatro San Carlo (Naples), 2542–2547
Teatro San Cassiano (Venice), 2584
Telemann, Georg Philipp, 170, 728, 1774–1778
Theater am Kärntnerthor (Vienna), 2134, 2138, 2139
Theater an der Wien (Vienna), 2151–2153
Theater bei der Hofburg (Burgtheater) (Vienna), 288, 2134, 2154–2157, 2348
Theaters—Europe, 2288. See alsothe subdivision theaters under individual cities, which
are entered in their countries, under “Opera”
Théâtre de la Monnaie (Brussels), 2165–2167
Théâtre Italien (Paris), 2269, 2322–2328. See alsoNouveau Théâtre Italien
Théâtre Lyrique (Paris), 2329–2331
Théâtre National de l’Opéra (Paris Opéra), 313, 2281, 2289, 2293, 2296, 2297, 2306,
2309; chronology, 2287–2293; directors, 2283, 2290; orchestras, 2294–2296; singers,
2284, 2285, 2290; theaters, 2286
Théâtre National de l’Opéra-Comique (Paris), 2233, 2245, 2312–2321; chronology, 2316,
2318
Thomas, Ambroise, 728, 1778
Thomson, Virgil, 1779–1781
Tippett, Michael, 1781*–1788
Torrejón y Velasco, Tomás de, 2612
Toscanini, Arturo, 1477
Traetta, Tommaso, 1789, 1790, 2462
Umlauf, Ignaz, 1790*
Vaughan Williams, Ralph, 1791–1795
Verdi, Giuseppe, 1501, 1796–1943, 2272; Aida, 246, 1862–1868; Alzira, 1796; analysis,
1840–1862; Un ballo in maschera, 1868, 1869, 1934; bibliography, 1800, 1801; biog-
raphy, 1822–1829, 2480; choral writing, 1862; collaboration with Boito, 232; collabo-
ration with conductors, 349; collaboration with Ghislanzoni, 245, 246; collaboration
with Temistocle Solera, 278;Il corsaro, 1869; Don Carlos, 1285, 1501, 1802, 1817,
1869–1874; I due Foscari, 1875; editions, 1796; Ernani, 1796, 1876–1879; Falstaff,
1879–1884; form, 1851–1860, 1868; La forza del destino, 1860, 1884–1889; Un
giorno di regno, 1831; harmony, 1840–1842; instrumentation, 1861; Jérusalem, 1890;
letters, 1813–1820; libretti, 1832–1834; I lombardi, 1831, 1890; Luisa Miller, 1796,
1890, 1891; Macbeth, 1848, 1891–1898; I masnadieri, 1899; Nabucco, 278, 1796,
1831, 1899–1902; Oberto, 266, 1831, 1903, 1904; Otello, 416, 1590, 1817, 1880,
1904–1914; and Paris, 2269; periodicals, 1809–1812; production and reception, 288,
1835–1839; rhythm, 1848–1850; Rigoletto, 1796, 1875, 1914–1921; Simon Boccane-
gra, 1817, 1818, 1836, 1905, 1921–1928; Stiffelio, 1929–1931; thematic catalogues,
1797–1799; tonality, 1840, 1851, 1854, 1855, 1858, 1860, 1867, 1868, 1884, 1896,
1898, 1910, 1918, 1926, 1933, 1939, 1940; La traviata, 1796, 1931–1935; Il trovatore,
1796, 1935–1941; Les vêpres sicilienes, 1927*, 1941–1943; vocal writing, 1843–1847
554 Opera