Badura-Skoda, Eva. “Haydns Opern: Anmerkungern zur Auff ührungspraktischen Proble-
men der Gegenwart,” 1033
Baggioli, Andrea. “Le fonti letterarie di Guillaume Tell,” 1585
Bailey, Robert. “The Evolution of Wagner’s Compositional Procedure after Lohengrin,”
2008; “The Genesis of Tristan und Isoldeand a Study of Wagner’s Sketches and Drafts
for the First Act,” 2065; “The Method of Composition,” 1973; “The Structure of the
Ringand Its Evolution,” 2045; “Wagner’s Musical Sketches for Siegfrieds Tod,” 2045
Baille, Joan Parkhill, and William Kilbourn. Look at the Record: An Album of Toronto’s
Lyric Theatres, 1825–1984, 2188
Baker, Evan. “Richard Wagner and His Search for the Ideal Theatrical Space,” 288;
“Verdi’s Operas and Giuseppe Bertoja’s Designs at the Gran Teatro La Fenice, Venice,”
288
Baker’s Biographical Dictionary of Musicians, 165
Baldini, Gabriele. Abitare la battaglia: La storia di Giuseppe Verdi, 1822; The Story of
Giuseppe Verdi: “Oberto” to “Un ballo in maschera,” 1822
The Ballad Opera: A Collection of 171 Original Texts of Musical Plays Printed in Photo-
Facsimile, 112
Balthazar, Scott L. “Aspects of Form in the ottocentoLibretto,” 2469; “Evolving Conven-
tions in Italian Serious Opera: Scene Structure in the Works of Rossini, Bellini, Doni-
zetti, and Verdi, 1810–1850,” 511; “Mayr, Rossini, and the Development of the Early
concertatoFinale,” 1172; “The primo ottocentoDuet and the Transformation of the
Rossinian Code,” 2471; “Rossini and the Development of Mid-Century Lyric Form,”
1581
Balzer, Jürgen. “The Dramatic Music,” 1361
Banducci, Antonia. “Staging a tragédie en musique: A 1748 Promptbook of Campra’s Tan-
crède,” 663; “Tancrèdeby Antoine Danchet and André Campra: Performance History
and Reception (1702–1764),” 664
Barbier, Patrick. La maison des italiens: Les castrats à Versailles, 177; Opera in Paris,
1800–1850: A Lively History,2273; La vie quotidienne a l’Opéra au temps de Rossini
et de Balzac, 2273
Barbieri, Francisco Asenjo. Istoria de la zarzuela, 476; Crónica y memorias del teatro lírico
español, 1829–63, 476
Barblan, Guglielmo, and Alberto Basso. Storia dell’opera, 76.
Barblan, Guglielmo, and Frank Walker. “Contributo all’epistolario de Gaetano Donizetti,”
769
Barblan, Guglielmo. “Alla ribalta un’ottocentesca tragedia lirica: Parisina d’Estedi
Donizetti,” 812; “Maria di Rohan,” 801
Barce, Ramón. “Das spanische Singspiel (Sainete lírico),” 93
Barker, Frank Granville. “The Flying Dutchman”: A Guide to the Opera, 2019
Barlow, Harold, and Sam Morgenstern. A Dictionary of Opera and Song Themes, Includ-
ing Cantatas, Oratorios, Lieder, and Art Songs, 26
The Barnes Book of the Opera, 196
Barnes, Clifford Rasmussen. “The Théâtre de la Foire (Paris, 1697–1792): Its Music and
Its Composers,” 2245
Baron, John H. Baroque Music: A Research and Information Guide, 6
Baroncelli, Joseph Gabriel de. Le théâtre français à la Nlle Orleans 1791–1906, 2783
Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre
1840 et 1913,” 2185
Barstow, Robert Squire. “The Theatre Music of Daniel Purcell,” 1510
Bartels, Adolf. Chronik des Weimarischen Hoftheaters 1817–1907, 2413
Bartels, Ulrich. Analytisch enstehungsgeschichtliche Studien zu Wagners “Tristan und
Isolde” anhand der Kompositionsskizze des zweiten und dritten Aktes, 2066
Bartha, Dénes, and László Somfai. Haydn als Opernkapellmeister, 1022
Bartha, Dénes. “Haydn’s Italian Opera Repertory at Esterháza Palace,” 1023
Barthelemy, Maurice. André Campra (1660–1744): Étude biographique et musicologique,
660
Index of Authors and Main Entries 561