Busch, Hans. Verdi’s Aida: The History of the Opera in Letters and Documents, 1863;
Verdi’s “Otello” and “Simon Boccanegra” (Revised Version) in Letters and Documents,
1905
Busch, Max W., and Peter Dannenberg, eds. Die Hamburgische Staatsoper, 2391
Bussey, William M. French and Italian Influences on the Zarzuela, 1700–1770, 2670
Bustico, Guido. Bibliografia delle storie e cronistorie dei teatri italiani: Il teatro musicale
italiano, 2436
Butterweck, Georg. Veranstaltungssäle in Wien, 2135
Butterworth, Neil. Ralph Vaughan Williams: A Guide to Research, 1791
Buttrey, John. “The Evolution of English Opera between 1656 and 1695: A Re-Investiga-
tion,” 2706
Caamaño, Roberto. La historia del Teatro Colón, 1908–1968, 2116
Cahiers Debussy, 731
Cairns, David. “Berlioz and Virgil: A Consideration of Les troyensas a Virgilian Opera,”
568
Calcaño, José Antonio. 400 años de música caraqueña, 2816
Calzavara, Alberto. Historia de la música en Venezuela: Periodo hispánico, con referéncias
al teatro y la danza, 2815
Cambiasi, Pompeo. Rappresentazioni date nei reali teatri di Milano, 1778–1872, 2519
The Cambridge Companion to Benjamin Britten, 617
The Cambridge Companion to Berg, 528
The Cambridge Companion to Handel, 951
The Cambridge Companion to Schubert, 1645
Cambridge Opera Handbooks [series], 147
Cambridge Opera Journal, 148
Cametti, Alberto. “Il Guglielmo Telle le sue prime rappresentazioni in Italia,” 1586; “Sag-
gio cronologico delle opere teatrali (1754–1794) di Niccolò Piccinni,” 1411; Il Teatro
Tordinona poi di Apollo, 2569
Cammarota, Lionello. “L’orchestrazione dell’Orfeodi Monteverdi,” 1249
Campardon, Émile. L’Académie Royale de Musique au XVIII siècle: Documents inédits
decouverts aux Archives Nationales, 2297
Canadian Music Centre. List of Canadian Operas Available from the Canadian Music
Centre, 2189
Candolle, Roger de. Histoire du théâtre de Genève, 2696
Cánepa Guzmán, Mario. La ópera en Chile, 1839–1930, 2190
Cannon, Beekman C. Johann Mattheson, Spectator, 1170
Cantrell, Byron. “Tommaso Traetta and His Opera Sofonisba,” 1790
Capelle, Irmlind. “Les méprises par ressemblance von Grétry und Lortzings Die beiden
Schutzen,” 931
Carfagno, Simon A. “The Life and Dramatic Music of Stefano Landi, with a Translitera-
tion and Orchestration of the Opera Sant’Alessio,” 1101
Cargher, John. Opera and Ballet in Australia, 2124
“Caribbean Music History: A Selective Annotated Bibliography with Musical Supple-
ment,” 2113
Carlson, Marvin. “Il re alla cacciaand Le roi et le fermier:Italian and French Treatments
of Class and Gender,” 2141
Carner, Mosco. Alban Berg: The Man and the Work, 535; “The Exotic Element in Puc-
cini,” 1459; Puccini: A Critical Biography, 1448
Carpenter, Humphrey. Benjamin Britten: A Biography, 619
Carr, Maureen A. “Keys and Modes, Functions and Progressions in Mussorgsky’s Boris
Godunov,” 1353
Carreira, Xoán M. “Opera and Ballet in Public Theatres of the Iberian Peninsula,” 2672;
“Origenes de la ópera en Cadiz: Un informe de 1768 sobre el Coliseo de Óperas,” 2678
Carroll, Brendan. “The Operas of Erich Wolfgang Korngold,” 1094
Carroll, C. M. “François André Philidor: His Life and Dramatic Art,” 1410
Carson, William G. G. St. Louis Goes to the Opera, 1837–1941, 2811
Index of Authors and Main Entries 567