Fairtile, Linda B. Giacomo Puccini: A Guide to Research,1437; “Verdi’s First ‘Willow
Song’: New Sketches and Drafts for Otello,” 1908
Fajon, Robert. “Les incertitudes du succès: Étude du répertoire de l’Académie Royale de
Musique des origines à 1750,” 2292; L’opéra à Paris: Du roi soleil à Louis bien-aimé,
2255
Fanna, Antonio, and Michael Talbot. “Cinquant’anni di produzioni e consumi della
musica dell’età di Vivaldi, 1947–1997,” 1952
Fanning, David. “Berg’s Sketches for Wozzeck: A Commentary and Inventory,” 540
Faris, Alexander. Jacques Offenbach, 1366
Farkas, Andrew. Opera and Concert Singers: An Annotated International Bibliography of
Books and Pamphlets, 162
Favia-Artsay, Aida. “Did Mascagni Write Cavalleria?” 1161
Favre, Georges. Boieldieu: Sa vie, son oeuvre,596; Histoire musicale de la Principauté de
Monaco du XVIe au XXe siècle, 2601
Fawkes, Richard. Welsh National Opera, 2729
Fay, Laurel E. “The Punch in Shostakovich’s Nose,” 1670
Fay, Stephen. The “Ring”: Anatomy of an Opera, 307
Fearn, Raymond. Bruno Maderna, 1146; Italian Opera since 1945, 2482
Feder, Georg, and Günter Thomas. “Dokumente zur Austattung von Lo speziale , L’in-
fedeltà delusa, La fedeltà premiata, Armidaund anderen Opern Haydns,” 1025
Feder, Georg. “A Survey of Haydn’s Operas,” 1011
Federhofer, Hellmut, and Kurt Oehl. Peter Cornelius als Komponist, Dichter, Kritiker und
Essayist, 714
Federhofer, Hellmut, et al. “Tonartenplan und Motivstruktur (‘Leitmotivtechnik’) in
Mozarts Musik,” 1286
Feldman, James. “The Musical Portrayal of Gustav von Aschenbach in Benjamin Britten’s
Death in Venice,” 633
Felice, Elena Sala di. “Metastasio e Galuppi a Vienna,” 852
Felice Romani: Melodrammi, poesie, documenti, 270
Fellers, Frederick. Metropolitan Opera on Record, 2800
Fellner, Rudolph. Opera Themes and Plots, 197
Felsenstein, Walter. The Music Theater of Walter Felsenstein: Collected Articles, Speeches,
and Interviews, 300; Schriften zum Musiktheater, 299
Fend, Michael. “‘Es versteht sich von selbst, dass ich von der Oper spreche, die der
Deutsche und Französe will... ‘“ 93; “Literary Motifs, Musical Form and the Quest
for the ‘Sublime’: Cherubini’s Éliza ou le voyage aux glaciers du Mont St. Bernard,” 700
Fenlon, Iain, and Peter N. Miller. The Song of the Soul: Understanding “Poppea,” 1232
Fenlon, Iain. “The Mantuan Stage Works,” 1212; “Monteverdi’s Mantuan Orfeo: Some
New Documentation,” 1246; Music and Patronage in Sixteenth-Century Mantua, 2512;
“Music and Spectacle at the Gonzaga Court, c. 1580–1600,” 2513
Fenton, Robin F. C. “Almira(Hamburg, 1705): The Birth of G. F. Handel’s Genius for
Characterization,” 981
Fernández-Cid, Antonio. Cien años de teatro musical en España, 1875–1975, 2671
Fernandez Serrano, D. B. Annales del Teatro Cervantes de Málaga,2681*
Fernández Shaw, Guillermo. Larga historia de “La vida breve,” 837
Ferrando, Enrico Maria, ed. Tutti i libretti di Puccini, 1466
Ferrari, Paolo-Emilio. Spettacoli drammatico-musicali e coreografici in Parma dall’anno
1628 all’anno 1883, 2556
Ferrero, Mercedes Viale. “Appunti di scenografia settecentesca, in margine a rappresen-
tazioni di opere in musica di Gluck e balli di Angiolini,” 885; “Giovanni Battisti
Crosato e la sua attività di scenografo al Teatro Regio di Torino,” 2576; “Repliche a
Torino di alcuni melodrammi venziani e loro caratteristiche,” 2575; “Torino e Milano
nel tardo settecento: Repertori a confronto,” 2525
Festschrift Friedrich Blume zum 70. Geburtstag, 64
Fetting, Hugo. Die Geschichte der Deutschen Staatsoper, 2361
Filippi, Joseph de. Parallèle des principaux théâtres modernes de l’Europe et des machines
théâtrales françaises, allemandes, et anglaises, 134
Index of Authors and Main Entries 577