Greenwood, Joanna. “Musical and Dramatic Motion in Verdi’s Il trovatore,” 1940
Grego-Dellin, Martin. “Wagners Bild in der Literature,” 1973
Gregoir, Edouard G. J. Des gloires de l’Opéra et la musique à Paris, 2282
Grétry et l’Europe de l’opéra-comique, 927
Grey, Thomas S. “Sickness or Redemption? Wagnerism and the Consequences,” 2049;
Wagner’s Musical Prose: Texts and Contexts, 1987
Grieb, Lyndal. The Operas of Gian Carlo Menotti, 1937–1972: A Selective Bibliography,
1182
Griffel, Margaret Ross. Operas in German: A Dictionary, 33
Griffiths, Steven. A Critical Study of the Music of Rimsky-Korsakov, 1844–1890, 1562
Grim, William E. “Did Wagner Create Hitler? Reflections on the Influence of the Ringon
Modern German History,” 2034
Grinde, Nils. A History of Norwegian Music,2608; Norsk musikhistorie, 2608
Groos, Arthur. “Appropriation in Wagner’s Tristan Libretto,” 2067; “Lieutenant F. B.
Pinkerton: Problems in the Genesis and Performance of Madam Butterfly,” 1481;
“Madama Butterfly: The Story,” 1483; “Return of the Native: Japan in Madama Butter-
fly; Madama Butterfly in Japan,” 1482
Das Grosse Heyne Opernlexikon, 49
Grosses Sänger-Lexikon, 176
Grout, Donald Jay, and Hermine Weigel Williams. A Short History of Opera, 78
Grout, Donald Jay. Alessandro Scarlatti: An Introduction to His Operas, 1613; “The Cho-
rus in Early Opera,” 350; “The Original Version of Alessandro Scarlatti’s Griselda,”
1619
Gruber, Clemens M. Opern-Uraufführungen. Ein internationales Verzeichnis von der
Renaissance bis zur Gegenwart, 35
Gruber, Gernot. Mozart and Posterity, 1293; Mozart und die Nachwelt, 1293
Gruber, Paul. The Metropolitan Opera Guide to Opera on Video, 443; The Metropolitan
Opera Guide to Recorded Opera, 443
Gruen, John. Menotti: A Biography,1185*
Gualerzi, Giorgio. “Il cammino dell’opera,” 1921; “Un secolo di Don Carlos,” 1874
Guardia, Ernesto de la, and Roberto Herrera. El arte lírico en el Teatro Colón
(1908–1933), 2116
Guaricci, Joseph. “Lucrezia Borgia,” 800
Guide to Reference Books, 1
Günther, Robert. Die Musikkulturen Lateinamerikas im 19. Jahrhundert, 2112
Günther, Ursula. “La genèse de Don Carlos de Verdi: Nouveaux documents,” 1871; “La
genèse du Don Carlos, opéra en cinq actes de Giuseppe Verdi, représenté pour la pre-
mière fois a Paris le 11 mars 1867,” 1870; “Zur Revision des Don Carlos: Postscriptum
zu Teil II,” 1871
Gustafson, Bruce. “The Lully Labyrinth: Cross References and Misattributions in the Lully
Werke-Verzeichnis,” 1125
Gutierrez, Beniamino. Il Teatro Carcano (1803–1914), 2523
Gutman, Robert W. “A Passion to Command and Demand,” 2049; Richard Wagner: The
Man, His Mind, and His Music, 1994
Haas, Robert. Gluck und Durazzo im Burgtheater: Die Opéra-comique in Wien, 897; Die
Wiener Oper, 2145
Hackett, Karlton. The Beginning of Grand Opera in Chicago (1850–1859), 2769
Hadamowsky, Franz. Die Wiener Hoftheater (Staatstheater), 1776–1966, 2146
Hailey, Christopher. Franz Schreker, 1878–1934: A Cultural Biography, 1638; “Zur
Entstehungsgeschichte der Oper Christophorus,” 1639
Haine, Malou. “Les opéras-comiques de Nicolas Dalayrac représentés au théâtre de Liège
entre 1786 et 1835,” 719
Hair, G. “Schoenberg’s Moses und Aron,” 1636
Halbreich, Harry. Arthur Honegger, 1062; Bohuslav Martinu ̊: Werkverzeichnis, Doku-
mentation, und Biographie, 1154
Hall, Michael. Harrison Birtwistle, 576
582 Opera