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McAllister, Margaret. “The Operas of Sergei Prokofiev,” 1430
McClary, Susan A. “Constructions of Gender in Monteverdi’s Dramatic Music,” 1227;
Feminine Endings: Music, Gender, and Sexuality, 391
McClymonds, Marita P. “The Evolution of Jommelli’s Operatic Style,” 1081; Niccolò
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Italian opera seria,” 1268; “Haydn and the opera seriaTradition: Armida,” 1038
McCreless, Patrick Phillip. “Schenker and the Norns,” 416; Wagner’s “Siegfried,” 2056
McDevitt, F. J. “The Stage Works of Carlisle Floyd,” 840
McDonald, Ellen. “Women in Benjamin Britten’s Operas,” 625
McDonald, Lawrence Francis. “Compositional Procedures in Richard Strauss’ Elektra,”
1727
McDonald, William E. “Words, Music, and Dramatic Development in Die Meistersinger,”
2025
McGegan, Nicholas, and Gina Spagnoli. “Singing Style at the Opéra in the Rameau
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McGowan, Margaret M. L’art du ballet de cour en France, 1581–1643,2239; “The Ori-
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McKay, Elizabeth Norman. Franz Schubert: A Biography, 1647; Franz Schubert’s Music
for the Theater, 1648; “Schubert as a Composer of Operas,” 1646; “The Stage Works of
Schubert, Considered in the Framework of Austrian Biedermeier Society,” 1648
McKee, Richard M. “A Critical Edition of Carlo Pallavicino’s Il Vespasiano,” 1378
McKinney, Bruce. “The Case against Tonal Unity in Tristan,” 2070
McLoskey, Lansing D. Twentieth-Century Danish Music: An Annotated Bibliography and
Research Directory, 2219
McShane, Catherine Albertson. “The Music of Friedrich Cerha and an Analysis of His
Opera Der Rattenfaenger,” 675
Meares, Stanley.“Pilgrim’s Progress,” 1794
Meckna, Michael. Virgil Thomson: A Bio-Bibliography, 1779
Meer, J. H. van der. Johann Josef Fux als Opernkomponist, 849
Meikle, Robert Burns. “Leonardo Vinci’s Artaterse: An Edition with an Editorial and Crit-
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Melitz, Leo. Opera Goers’ Complete Guide, 202
Melkus, Eduard. “Haydn als Dramatiker am Beispiel der Oper La vera costanza,” 1041;
“Zur Aufführung von Keisers Croesus in Halle,” 1090
Mellen Opera Reference Index, 24
Mendel, Arthur. “Pitch in Western Music since 1500: A Reexamination,” 346
Merian, Wilhelm. Basels Musikleben im XIX. Jahrhundert, 2694
Mertin, Josef. Alte Musik: Wege zur Aufführungspraxis, 338; Early Music: Approaches to
Performance Practice, 338
Mertz, Margaret Stover. “History of the Criticism and Sources of Benjamin Britten’s Rape
of Lucretia,” 646
Metastasio e il mondo musicale, 259
Metropolitan Opera Encyclopedia: A Comprehensive Guide to the World of Opera, 44
The Metropolitan Opera Stories of the Great Operas, 203
Metzer, David. “A Wall of Darkness Dividing the World: Blackness and Whiteness in Louis
Gruenberg’s The Emperor Jones,” 935
Mey, Curt. Der Meistergesang in Geschichte und Kunst, 2024
Meyer, Herbert. Das Nationaltheater Mannheim, 1929–1979, 2401
Meyer, Reinhart. Die Hamburger Oper, 2392
Michalowski, Kornel. Karol Szymanowski: 1882–1937: Bibliografia 1967–1991; Dysko-
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Michtner, Otto. Das alte Burgtheater als Opernbühne, von die Einführung des deutschen
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Mies, Paul, and Klaus Wolfgang Niemöller. “Bibliographie zur Musikgeschichte der Stadt
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Index of Authors and Main Entries 597