Randel, Don Michael. The New Harvard Dictionary of Music, 17
Randel, William. “Koangaand Its Libretto,” 751
Raney, Carolyn. “Francesca Caccini, Musician to the Medici and Her Primo libro(1618),”
653
“The Rape of Lucretia”:A Symposium, 647
Rasponi, Lanfranco. The Last Prima Donnas, 187
Rather, L. J. Reading Wagner: A Study in the History of Ideas, 1986
Rattalino, Piero. “Il processo compositivo nel Don Pasqualedi Donizetti,” 792
Ravaldini, Gaetano. Spettacoli nei teatri e in altri luoghi di Ravenna, 1555–1977, 2563
Reading Opera, 218
Reber, William Francis. “The Operas of Ralph Vaughan Williams,” 1793
Reclams Lexikon der Opernwelt in sechs Bänden, 51
Redlich, Fritz C. “The Impact of Richard Wagner on Adolf Hitler,” 2049
Redlich, Hans F. Alban Berg: The Man and His Music, 532; Alban Berg: Versuch einer
Würdigung, 532; Claudio Monteverdi: Life and Works,1220; “Wagnerian Elements in
Pre-Wagnerian Opera,” 2010
Redwood, Christopher. “Delius as Composer of Opera,” 750
Reeve, Katherine. “The Damnation of Faust, or the Perils of Heroism in Music,” 563
Refardt, Edgar. “Schweizer Oper und Opernkomponister,” 2693
Reich, Willi. Alban Berg: Leben und Werk, 531; The Life and Works of Alban Berg,531;
“Der Prozess,” 828; Schoenberg: A Critical Biography, 1625; Schönberg, oder der kon-
servative Revolutionär, 1625
Reid, Cornelius L. A Dictionary of Vocal Terminology: An Analysis, 355.
Reiss, Józef. Almanach muzyczny krakowa, 1780–1914, 2622
Renieu, Lionel. Histoire des théâtres de Bruxelles depuis leur origine jusqu’à ce jour, 2165
Renken, Alice Brin. “Marin Marais’s Alcione: An Edition with Commentary,” 1150
Renner, Hans. Renner’s Führer durch Oper, Operette, Musical: Das Bühnenrepertoire der
Gegenwart, 206
Rennert, Günther. Opernarbeit: Inszenierungern 1963–1973, 321
Répertoire international de la presse musicale: A Retrospective Index Series (RIPM), 12
Répertoire international des sources musicales = International Inventory of Musical
Sources = Internationales Quellenlexikon der Musik, 11
Ribeiro, Mário de Sampayo. Achegas para a história da música em Portugal, 1932–61,
2629
Ribera, Salvador A., and Luis Alberto Aguila. La ópera, 2192
Riccardo Zandonai: Atti del Convegno di Studi sulla Figura e l’Opera, 2106
Ricci, Corrado. I teatri di Bologna nei secoli XVII e XVIII: Storia aneddotica, 2491
Rice, John A. Antonio Salieri and Viennese Opera,1602; “Sarti’s Giulio Sabino, Haydn’s
Armida,and the Arrival of opera seriaat Esterháza,” 1037
Rice, Paul F. “Mid-Eighteenth-Century Changes in French Opera: The Two Versions of
Rameau’s Zoroastre,” 1557; The Performing Arts at Fontainebleau from Louis XIV to
Louis XVI, 2235
Richard Strauss and His World, 1694
Richard Strauss: New Perspectives on the Composer and His Work, 1695
Richard Strauss-Blätter, 1696
Richard Wagner Jahrbuch, 1977
Richard Wagner-Handbuch, 1975
Richardson, John. Singing Archaeology: Philip Glass’s “Akhnaten,” 872
Richart, Robert W. György Ligeti: A Bio-Bibliography, 1113
Rieck, Waldemar. Opera Plots, 194
Riedinger, Lothar. “Karl von Dittersdorf als Opernkomponist,” 754
Riedlbauer, Jörg. Die Opern von Tommaso Trajetta, 1789
Riemann, Hugo. Opern-Handbuch, 52
Rienäcker, Gerd. “Utopien, Illusionen, Desillusionen in Paul Dessaus Oper Leonce und
Lena,” 752
Rigler and Deutsch Record Index, 435
RILM Abstracts of Music Literature, 13*
Index of Authors and Main Entries 607