Towers, John. Dictionary Catalog of Operas and Operettas Which Have Been Performed
on the Public Stage, 56
Towneley, Simon. “Early Italian Opera,” 58
Tozzi, Lorenzo. “Il Renauddi Antonio Sacchini: Genesi di una metamorfosi,” 1600
Treitler, Leo. “The Lulu Character and Character of Lulu,” 529; “Wozzeckand the Apoc-
alypse: An Essay in Historical Criticism,” 540
Trezzini, Lamberto, Sergio Paganelli, and Roberto Verti. Due secoli di vita musicale: Storia
del Teatro Comunale di Bologna, 2488
Trowell, Brian. “Libretto,” 16
Troy, Charles E. The Comic Intermezzo: A Study in the History of Eighteenth-Century
Italian Opera, 2465
Tsai, Shunmei. “The Viennese Singspieleof Karl Ditters von Dittersdorf,” 756
“Tschechische und slowakische Opern seit 1946,” 2204
Tschulik, Norbert. Musiktheater in Deutschland: Die Oper im 20. Jahrhundert, 2357
Tuggle, Robert. The Golden Age of Opera, 2799
Turnbull, Michael. “A Critical Edition of Psyché: An Opera with Words by Thomas
Corneille and Philippe Quinault, and Music by Jean-Baptiste Lully,” 1144; “The Meta-
morphosis of Psyché,” 1145
Turnbull, Robert. The Opera Gazetteer, 139
Turner, J. Rigbie. Four Centuries of Opera: Manuscripts and Printed Editions in the Pier-
pont Morgan Library, 15
Turner, Patricia. Dictionary of Afro-American Performers, 169
Tusa, Michael C. “Carl Maria von Weber’s Euryanthe: A Study of Its Historical Context,
Genesis, and Reception,” 2093; Euryanthe and Carl Maria von Weber’s Dramatrugy of
German Opera,2092; “The Grave-digging Duet in Leonore(1805),” 502; “Richard
Wagner and Weber’s Euryanthe,” 2094; “Weber’s Grosse Oper: A Note on the Origins
of Euryanthe,” 2095
Tyrrell, John R., and Rosemary Wise. A Guide to International Congress Reports in Musi-
cology, 1900–1975, 4
Tyrrell, John R. Czech Opera,2200; Janácek’s Operas: A Documentary Account, 1078;
“Janácek’s Recitatives,” 1077; “Janácek’s Stylistic Development as an Operatic Com-
poser, as Evidenced in His Revisions of the First Five Operas,” 1076
Tyson, Alan. “La clemenza di Titoand Its Chronology,” 1294; Mozart: Studies of the
Autograph Scores, 1273; “Notes on the Composition of Mozart’s Così fan tutte,” 1300;
“Le nozze di Figaro: Lessons from the Autograph Score,” 1320; “Some Problems in the
Text of Le nozze di Figaro: Did Mozart Have a Hand in Them?” 1321
Uccello, Leobaldo. Lo spettacolo nei secoli a Messina, 2515
Umberto Giordano, 868
Umberto Giordano e il verismo, 869
Unger, Max. “The Cradle of the Parsifal Legend,” 2031
United States. Library of Congress. Dramatic Music (Class M1500, 1510, 1520): Cata-
logue of Full Scores, 116; Library of Congress Catalog—Music, Books on Music, and
Sound Recordings, 121
United States. Library of Congress. Music Division. Catalogue of Opera Librettos Printed
before 1800, 115
Unvergängliche Stimmen Sängerlexikon, 176
Upton, William Treat. William Henry Fry, 845
Urfalino, Philippe. Quatre voix pour un opéra: Une histoire de l’Opéra Bastille, 2310
Vajda, Igor. Slovenska Opera, 2663
Valenti Ferro, Enzo. Las voces: Teatro Colón, 1908–1982, 2120
Valentin, Caroline. Geschichte der Musik in Frankfurt am Main vom Anfange des XIV. bis
zum Anfange des XVIII Jahrhunderts, 2383
Vallas, Léon. Un siècle de musique et de théâtre à Lyon, 1688–1789,2334; Vincent
D’Indy, 1066
Index of Authors and Main Entries 617