Opera

(Marvins-Underground-K-12) #1

Warrick, Kimberly Joanna. “A Stylistic Analysis of Aaron Copland’s Two Operas: The Sec-
ond Hurricane and The Tender Land,” 713
Waters, Edward N. Victor Herbert: A Life in Music, 1045
Watson, Derek. Richard Wagner: A Biography, 1992
Watts, John. “L’ajo nell’imbarazzo,” 788; “Maria Stuardain Performance,” 805
Weaver, Robert Lamar, and Norma Wright Weaver. A Chronology of Music in the Floren-
tine Theater, 1590–1750, 2496; A Chronology of Music in the Florentine Theater,
1751–1800, 2497
Weaver, Robert. “The Orchestra in Early Italian Opera,” 342
Weaver, William. The Golden Century of Italian Opera, from Rossini to Puccini,2467;
“Puccini’s Manon and His Other Heroines,” 1461
Weber, Carl Maria. Musikalische Werke: Erste kritische Gesamtausgabe,2084; Sämtliche
Schriften, 2084; Writings on Music, 2085
Webster, James. “The Analysis of Mozart’s Arias,” 1289; “Mozart’s Operas and the Myth
of Musical Unity,” 1288; “To Understand Verdi and Wagner We Must Understand
Mozart,” 1858; “Understanding opera buffa: Analysis = Interpretation,” 417
Wedell, Friedrich. Annäherung an Verdi: Zur Melodik des jungen Verdi und ihren musik-
theoretischen und ästhetischen Voraussetzungen, 1843
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Information on Music, Volume II,” 2182
Weinstock, Herbert. Donizetti and the World of Opera in Italy, Paris, and Vienna in the
First Half of the Nineteenth Century,772; Rossini: A Biography, 1573; Vincenzo
Bellini: His Life and His Operas, 507
Weiss, Fritz. Basler Stadttheater 1834–1934, 2694
Weiss, Piero, and Richard Taruskin. Music in the Western World: A History in Docu-
ments, 97
Weiss, Piero. “Carlo Goldoni, Librettist: The Early Years,” 254
Weisstein, Ulrich. The Essence of Opera, 103; “Reflections on a Golden Age: W. H.
Auden’s Theory of Opera,” 231
Weitzel, H. “A Melodic Analysis of Selected Vocal Solos in the Operas of Douglas Moore,”
1252a
Wellesz, Egon. “Cavalli und der Stil der venezianischen Oper von 1640–1660,” 668; “A
Festival Opera of the 17th Century,” 678; Fux, 847; “Die Opern und Oratorien in Wien
von 1600–1708,” 2140
Werner Egk, 824
Westernhagen, Curt von. Die Entstehung des “Ring,” 2043; The Forging of the “Ring,”
2043; Wagner,1990; Wagner: A Biography, 1990
Westrup, Jack A. “Alessandro Scarlatti’s Il Mitridate Eupatore(1707),” 1620; “Bizet’s La
jolie fille de Perth,” 587; “Opera in England and Germany,” 58
White, Eric Walter. Benjamin Britten: His Life and Operas,618; A History of English
Opera, 2703; “A Note on Opera at Oxford,” 2728; A Register of First Performances of
English Operas and Semi-Operas from the 16th Century to 1980, 2704; The Rise of En-
glish Opera, 2703; Stravinsky: The Composer and His Works, 1748; Tippett and His
Operas, 1784
Whitesitt, Linda. The Life and Music of George Antheil, 1900–1959, 460
Whittall, Arnold. Britten and Tippett: Studies in Themes and Techniques, 621; “The
Chamber Operas,” 627; “‘Is There a Choice at All?’ King Priamand Motives for Analy-
sis,” 1788; “‘Twisted Relations’: Method and Meaning in Britten’s Billy Budd,” 628;
“Wagner’s Later Stage Works,” 58
Who’s Who in der Oper, 40
Wiel, Taddeo. I teatri musicali veneziani del settecento: Catalogo delle opere in musica rap-
presentate nel secolo XVIII in Venezia (1701–1800), 2581
Wierzbicki, James. “Maddalena: Prokofiev’s Adolescent Opera,” 1432
Wiesend, Reinhard. “Baldassare Galuppi fra opera seria e opera buffa,” 852; “Hasses
Opern in die Gegenwart,” 1003; “Tonartendisposition und Rollenhierarchie in Hasses
Opern,” 1002


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