A Guide to Eighteenth Century Art

demonstrates an unusual naturalism. The sculpture “Bust of a Man” (1758) by Francis Harwood (active
1748–1783) (Figure 3.8) combines a traditional, classical mode of representation, possibly that of the
noble warrior, with some individualized features (Bindman and Gates, 2011, vii–viii; Bindman, Boucher
and Weston, 2011b, 121; Bindman and Weston, 2011, 125–128; Bindman, Kaplan and Weston, 2011, 172–
175; Trusted, 2008, 27).