7 daysA week in photographyonline picture of the weekInthisissue
8 SonyFE200-
600mmF5.6-
6.3GOSS
AndyWestlaketakesa
firstlookatSony’snew
telephotozoomlens
16 Landofplenty
Fourprolandscape
photographerssharetheir
toptipsongettingthe
bestresultsin thefield
26 Achanging
landscape
KeithWilsontakesa
sidewayslookatthe
moreexperimentalsideof
landscapephotography
32 Boostyour
landscapes
Thebestprocessing
optionsavailableto
ensureyourlandscape
imagesstandout
36 Jointheclub
TheCannockPhotographic
Societyis stillgoing
strongafter 66 years
39 TokinaOpera
16-28mmF2.8FF
MattGolowczynski
evaluatesthishigh-
quality,widezoom
42 Stick’emup
A detailedround-upof
tripods,accessoriesand
headsbyAndyWestlake
46 Modular
backpacks
MichaelTophamtakes
a closelookatsix
backpackoptionsRegulars
3 7 days
14 Inbox
50 Accessories
53 TechTalk
66 LegendsCOVER PICTURES © STEPhEn EllIOTT / jAMES PATERSOn / AndREW SydEnhAM
Win!Eachweekwechooseourfavourite
pictureonFacebook,Instagram,
Flickr,Twitteror thereadergalleryusing
#appicoftheweek. Permajetproudlysupports
theonlinepictureof theweekwinner,whowill
receivea top-qualityprintof theirimageonthe
finestPermajetpaper*.It is importantto bring
imagesto lifeoutsidethedigitalsphere,sowe
encourageeveryoneto getprintingtoday!Visit
http://www.permajet.com to learn more.Thisstreetscenewasuploadedto
ourTwitterpageusingthehashtag
#appicoftheweek.it wastakenby
photographerPaulCrudgington.
hetellsus,‘i recentlypurchased
myfirstvintageM42filmlens,and
havingtriedit formacrophotography
i waseagertoseehowit performed
forstreet.Theareaaround
ManchesterTownhallis a great
spot,becausein thelateafternoon
thesuncreatesinteresting,high-
contrastscenes.havingfoundthe
rightcomposition,it wasa matter
of patienceuntiltherightperson
walkedbytocompletethescene.
i darkenedtheshadowsand
brightenedthehighlightsto
produce the final result.’ShadowsbyPaulCrudgington
FujifilmX-T2,VintageausJena
50mmwithGobeM42adapter,
1/125sec at f/1, ISO 200IMAGES MAy bE USEd FOR PROMOTIOn PURPOSES OnlInE And On SOCIAl MEdIA*PlEASE AllOW UP TO 28 dAyS FOR dElIVERyOnthefaceofit landscape
photographyseemseasy.We
liveina countryblessedwith
a greatvarietyofscenicbeauty.
Allweneedtodois headto
somewherepretty,pointourcamerasand
click.Ofcourseweallknowthatthereis much
moretoit thanmerelycapturinga factual
recordofthetopography.Thereis a vastgulf
between simple snaps and the work of thegreatlandscapephotographers.Sohowdo
wegetourownworktoa pointwhereit stirs
theemotionsandtouchesthesoulintheway
thatgreatlandscapephotographydoes?There
is nosecretformula,butthisweek’sissueis
dedicatedtothevariouswaysinwhichwecan
moveourownlandscapephotographyfurther
awayfromthedullrecordshot and closer to
theworkofthemasters.
Nigel Atherton, EditorJoinus
onlineamateurphotographer.
co.ukamateurphotographer
@AP_Magazine magazineFacebook.com/Amateur.
photographer.magazineflickr.com/groups/
amateurphotographersendusyourpicturesIf you’dliketoseeyourworkpublishedinAmateurPhotographer, here’showtosendusyourimages:
EmailEmaila selectionof low-resimages(upto 5Mbof attachmentsin total)[email protected].
CD/DVDSendusa discof high-resolutionjPEG,TIFFor PSdimages(atleast 2480 pixelsalongitslongestlength),witha contactsheet,to theaddresson page 14.
Via our online communities Post your pictures into our Flickr group, Facebook page, Twitter feed, or the gallery on our website. See details above.© PAUl CRUdGInGTOn