s
o often we think of hand
stitching or embroidery as purely
embellishment, but it can add so
much more to our quilts. The ‘Take
the Stitch Challenge’ series of articles
explores basic hand stitches and their mark-making potential. Each article focuses on a
theme and explores a few stitches to refl ect that theme. So far, we’ve examined how simple
stitched lines, repeating patterns, and even the rhythm of hand stitching can create unique
effects in our artwork. In this third installment we delve into texture.by Julie B. Booth
MATERIALS
For the Texture Challenge- 2 (6”) squares of black, white, or gray cotton or linen fabric
(one for the stitch sampler, one for the stitch challenge) - 2 (6") squares of one of the following to use as a stabilizer:
craft felt, wool or wool blend felt, fl annel, or thin cotton
batting. - Assorted thread types in black, white, gray, and/or up to
two accent colors - Photograph that features a selection of interesting textures
(you may want to print it out as a black-and-white image)
For the series - Card stock template: 6" square with 4" window in the
center - Crewel embroidery needles in sizes #5 and #3
- Fabric-safe washable or disappearing marker or pencil
- Journal/sketchbook or loose sheets of paper
- Assorted markers/pencils for sketching
Optional - Th ick thread or yarn for couching stitch
TAKE THE CHALLENGE
Exploring Exploring
Texture
The use of texture in art falls into two
categories: actual texture and visual texture.
Actual texture—also known as physical
texture—is texture that one can feel through
the sense of touch. The surface of an object
or artwork can be smooth, bumpy, sharp, etc.
Visual texture in art is the illusion of texture.
The artist can photograph, draw, or paint
something that interprets textured surfaces
(for example fur, grass, feathers) even though
the actual surface of the artwork may not feel
like any of the textures being portrayed.
Stitched work can cover both these
categories. The raised surface of the stitches
and distortion of the fabric’s surface both
produce actual tactile qualities. But stitching
can also be used to interpret other surfaces
in a realistic or impressionistic way. The
combination of both types of texture will be
the focus of this article’s journal exercise and
stitch challenge.