72 AUGUST 2019 • SKY & TELESCOPE
cameras using just a hardware inter-
valometer. The Z6 uses the same DC-2
connector as the D750 for a shutter
release cable. As such, the Z6 will work
with any time-lapse controllers that
connect through just the shutter port.
Devices that control a camera through
its USB port to shift shutter, aperture,
and ISO might need their fi rmware
updated before they will run a Z6.
Battery Life
All the attractive features are for naught
if the camera draws so much power
its batteries don’t last long enough to
be practical. We need cameras to last
several hours at least to complete a
night-sky shoot without interruption
and battery swaps.
While the Z6 is rated as having
poorer battery life than the D750, I
found otherwise. It held out very well,
using its EN-EL15b battery, compatible
with the batteries in many other Nikon
DSLRs. At room temperature the battery
lasted for 1,500 photos, as good as the
D750 in a side-by-side endurance test.
At night in the cold, the Z6 lasted
nearly three hours at -10°C (14°F) on
its internal battery when shooting the
multi-minute deep-sky images shown
here, again matching the D750. On
another night at -15°C (5°F) the Z6
again lasted three hours, enough for
675 frames in a test time-lapse using its
built-in intervalometer.
The Z6 should be just as good as
most DSLRs for long time-lapses and
deep-sky shoots, provided the rear
screen and electronic viewfi nder are
turned off. The Z6 has a handy physical
button for doing just that.
Recommendations
If you are happy with your full-frame
Nikon DSLR now, switching to the Z6
to “go mirrorless” might not yield a
signifi cant improvement in still-image
quality. It will, however, provide excel-
lent 4K video, a feature only available
on Nikon’s high-end D850, as well as
the cropped-frame D500 and D7500
DSLR cameras.
If you’re using an APS-format Nikon
now and want to upgrade to a full-
frame camera,
then choosing a
Z6 rather than
a DSLR would
be an excellent
choice. It yields
lower noise than
your existing
camera, provides
full-frame 4K
video capability, a
large, convenient
touchscreen,
and brighter Live
View, all in a
more compact and
lighter body than
any of Nikon’s
full-frame DSLRs. Just be sure to fi gure
in the additional costs of its unique
XQD memory cards, a card reader for
them, a lens or two, and the FTZ lens
adapter. The latter allows you to use all
your existing Nikon F-mount lenses,
provided they will properly cover a full-
frame Nikon.
I was impressed with the Z6. If I were
shopping for a Nikon full-frame camera
now for astrophotography, it’s the
model I would defi nitely purchase.
■Contributing Editor ALAN DYER main-
tains his blog at amazingsky.net with
tales of image-taking, time-lapse videos,
tutorials, and test reports.
S&T Test Report
qLike Nikon’s high-end DSLRs, the Z6 offers options for shooting in smaller raw formats.
However, unlike CCD cameras, this only down-samples the image, it does not bin the pixels to
signifi cantly reduce noise. While the smaller images reduce resolution, the smaller fi le sizes might
be useful for some time-lapses intended only for HD or 4K-resolution fi nal movies.
tNikon’s optional FTZ lens
adapter is required to attach
“legacy” F-mount lenses, such
as this Sigma Art lens (far left), or
to attach the Z6 to fi eld fl atteners
(left) and telescope adapters
equipped with a standard Nikon
F-mount T-ring. The FTZ then
places the Z6 sensor at the
correct distance from the fi eld
fl attener for optimum correction.
pThe Z6 only ac-
cepts Sony’s new
XQD memory cards,
not the more com-
mon SD or CF cards.
While XQD cards
can be more expen-
sive, they are fast at
writing and reading
large 4K video fi les.
Nikon Z6 at ISO 3200
Large full-size RAW
6,048 × 4,024
Nikon Z6 at ISO 3200
Medium RAW
4,528 × 3,016