Greece 12 - Peloponnese

(C. Jardin) #1

PeloPonnese


ArGOLIS


PeloPonnese


SIGHTS


PeloPonnese


TIr


YNS


It is believed that licks from snakes were
one of the curative practices at the sanctuary.
Asclepius is normally shown with a serpent,
which – by renewing its skin – symbolises re-
juvenation. Other treatments provided at the
sanctuary involved diet instruction, herbal
medicines and occasionally even surgery.
The sanctuary also served as an entertain-
ment venue; and every four years, during
the Festival of Asclepieia, Epidavros hosted
dramas and athletic competitions.

1 Sights
oTheatre of Epidavros HISTOrIC SITE
(site adult/concession €6/3; h8am-7pm) One of
the best-preserved Classical Greek structures
in existence, now used for performances of
Ancient Greek drama during the annual Hel-
lenic Festival, the 3rd-century BC theatre is
the undisputed highlight of Epidavros. It’s
renowned for its amazing acoustics; a coin
dropped in the theatre’s centre can be heard
from the highest seat. Built of limestone,
the theatre seats up to 14,000 people. Its
entrance is flanked by restored Corinthian
pilasters and the foundations of the ancient
stage are beyond the circle.

Sanctuary of Asclepius ruIN
(site adult/concession €6/3; h8am-7pm) A short
walk from the Theatre of Epidavros, and
dotted with pine trees, lie the ruins of the
Sanctuary of Asclepius, dedicated to the
god of healing. The ruins include the huge
katagogeion, a hostelry for pilgrims and pa-
tients, the large banquet hall in which the
Romans built an odeum (a room for musical
performances), and the stadium – the venue
for the Festival of Asclepieia’s athletic com-
petitions. Just beyond is the remarkable tho-
los building, the Temple of Asclepius and
the abaton. You first reach the large, square

katagogeion, beyond which is the former
gymnasium-cum-banquet-hall in which the
Romans built an odeum. It was here that the
Festival of Asclepieia took place.
The path meanders past the remains of
the stadium on your left. Ahead is the cir-
cular tholos (built 360–320 BC and under
heavy reconstruction at research time), orig-
inally surrounded by two circles of columns:
Doric and Corinthian. In the centre there
used to be a small labyrinth and one of the
theories is that patients were put in there for
a ‘healing encounter’ with snakes.
To the northeast are the foundations of
the Temple of Asclepius and next to them
is the abaton. The therapies practised here
seemed to have depended on the influence
of the mind upon the body. It is believed that
patients were given a pep talk by a priest on
the powers of Asclepius, then put to sleep in
the abaton to dream of a visitation by the
god. The dream would hold the key to the
healing process.
East is the Sanctuary of Egyptian Gods,
which indicates that the cult of Asclepius
was an adaptation of the cult of Imhotep,
worshipped in Egypt for his healing powers.

Museum MuSEuM
(adult/concession incl site entry €6/3; h8am-7pm)
Between the Sanctuary of Asclepius and the
Theatre of Epidavros, this museum houses
statuary (mostly copies) that once adorned
the Temple of Asclepius, stone inscriptions
recording miraculous cures, some alarming-
looking surgical instruments, votive offerings
and fragments of intricately carved reliefs
from the ceiling of the sanctuary’s tholos.

z Festivals & Events
Athens & Epidavros Festival THEATrE
(%210 928 2900, 27530 22026; http://www.greekfestival.
gr/en; hJul & Aug) The Theatre of Epidavros

PEREGRINATIONS OF PAUSANIAS

Lonely Planet and its alternatives were beaten to the publishing of guidebooks by nearly
20 centuries. The traveller and geographer Pausanias wrote what is believed to be the
first – and most definitive – ‘guidebook’ for tourists in the 2nd century AD. His work, De-
scription of Greece (sometimes known as To u r or Itinerary of Greece), is a series of 10
volumes in which he describes most of Greece as seen at the time (between AD 143 and
161), covering the regions of Attica, Boeotia, Phocis and Ozolian Locris, plus the regions
that make up much of the Peloponnese: Corinthia, Lakonia, Messinia, Elia, Achaïa and
Arkadia. Classical Greek scholars, historians and archaeologists regard it as an extremely
important historical work for its insight into places, people, monuments and sites, as well
as associated facts and legends. Pausanias is believed to be from Lydia in Asia Minor and
travelled extensively throughout Greece, Macedonia, Italy and parts of Asia and Africa.
Free download pdf