Adobe Premiere Pro CC Classroom in a Book (2019 Release), First Edition

(C. Jardin) #1

display, which indicates the horizontal position of each pixel, no position information is
indicated in the vectorscope.


It’s clear enough to see what’s happening in this shot of Seattle. There’s a lot of blue, and there
are a few spots of red and yellow. The small amount of red is indicated by the streak of peaks
reaching out toward the R marking in the vectorscope.


About primary and secondary colors
Red, green, and blue are primary colors. It’s common for display systems, including
television screens and your computer monitor, to combine these three colors in varying
relative amounts to produce all the colors you see.
There’s a beautiful symmetry to the way a standard color wheel works, and a color wheel
is essentially what the vectorscope displays.
Any two primary colors will combine to produce a secondary color. Secondary colors are
the opposite of the remaining primary color.
For example, red and green (two of the primary colors) combine to produce yellow, which
is the opposite of blue (the third primary color).

The vectorscope is helpful because it gives you objective information about the colors in your
sequence. If there’s a color cast, perhaps because the camera was not calibrated properly, it’s
often obvious in the vectorscope display. You can simply use one of the Lumetri Color panel
controls to reduce the amount of the unwanted color or add more of the opposite color.


Some of the controls for color correction adjustments have the same color wheel design as the
vectorscope, making it easy to see what you need to do.


Let’s make an adjustment and observe the result in the vectorscope display.


Tip
You can jump to 00:00:01:00 by clicking the timecode in the Source Monitor, Program
Monitor, or Timeline panel, and typing 1. and then pressing Enter because each dot (.)
adds one pair of zeros.

1. Continue working with the Skyline sequence. Position the Timeline playhead at
00:00:01:00, where the colors are more vivid.
2. In the Lumetri Color panel, expand the Basic Correction section.
3. While watching the result in the vectorscope display, drag the Temperature slider from one
extreme to the other.

The pixels displayed in the vectorscope move between the orange and blue areas of the
display.
4. Reset the Temperature slider by double-clicking the slider control.
5. In the Lumetri Color panel, drag the Tint slider from one extreme to the other.
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