Figure 8.8 Jessica’s sign
Both Louisa and Scarlett had moved from purely representing their objects to cutting
them out so that they became objects with which to play. In Pahl’s words they were
making them ‘more real’ (1999a, p. 35). Kress highlights the significance of cutting
out: ‘there is then a continuum for the child, between things on the page – one kind
of distanced, intangible reality; and things here and now, another kind of reality, not
distanced but tangible. The two kinds of realism are linked through the actions of
the child’ (Kress, 1997, p. 27).
When children wrote lists, made books and filled in forms they had no need to
cut them out since these things were already objects which were symbols in their
own right.
In the graphics area, Louisa, 4:9, made what appeared at first glance to be a clock
face, but which she intended to use for a different purpose (see Figure 8.9,
overleaf). In this class the children in each group had certain options for play from
which they could choose each day.When she explained how to use her dial, she
assigned an activity to the numerals 1–5: bricks, puzzles, role-play, reading and
painting. She paused with her finger on ‘6’, unable to think of other possibilities:
then smiling, explained ‘then you have a sleep’. As she moved the hand of the dial
she stopped at the letters ‘fo’ (off) and pointed out that this was ‘where you turn
it off’. Louisa had related what she knew about analogue clocks to that of her
classroom culture: perhaps she was making links with her home culture too,
where after finishing playing at the end of each day, she goes to sleep.
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