Jesse   in  1998,   and met Roland  Griffiths   shortly thereafter, he  couldn’t
quite   believe his good    fortune.    “It was thrilling.”
Bill    Richards,   a   preternaturally cheerful    man in  his seventies,  is  a
bridge  between the two eras    of  psychedelic therapy.    Walter  Pahnke  was
the best    man at  his wedding;    he  worked  closely with    Stan    Grof    at  Spring
Grove   and visited Timothy Leary   in  Millbrook,  New York,   where   Leary
landed  after   his exile   from    Harvard.    Though  Richards    left    the Midwest
half    a   century ago,    he’s    retained    the speech  patterns    of  rural   Michigan,
where   he  was born    in  1940.   Richards    today   sports  a   white   goatee, laughs
with    an  infectious  cackle, and ends    many    of  his sentences   with    a   cheerful,
up-spoken   “y’know?”
Richards,   who holds   graduate    degrees in  both    psychology  and divinity,
had his first   psychedelic experience  while   a   divinity    student at  Yale    in
- He  was spending    the year    studying    in  Germany,    at  the University  of
 Göttingen, and found himself drawn to the Department of Psychiatry,
 where he learned about a research project involving a drug called
 psilocybin.
 “I had no idea what that was, but two friends of mine had participated
 and had had interesting experiences.” One of them, whose father had
 been killed in the war, had regressed to childhood to find himself sitting
 on his father’s lap. The other had hallucinations of SS men marching in
 the street. “I had never had a decent hallucination,” Richards said with a
 chuckle, “and I was trying to get some insight into my childhood. In those
 days, I viewed my own mind as a psychological laboratory, so I decided to
 volunteer.
 “This was before the importance of set and setting was understood. I
 was brought to a basement room, given an injection, and left alone.” A
 recipe for a bad trip, surely, but Richards had precisely the opposite
 experience. “I felt immersed in this incredibly detailed imagery that
 looked like Islamic architecture, with Arabic script, about which I knew
 nothing. And then I somehow became these exquisitely intricate patterns,
 losing my usual identity. And all I can say is that the eternal brilliance of
 mystical consciousness manifested itself. My awareness was flooded with
 love, beauty, and peace beyond anything I ever had known or imagined to
 be possible. ‘Awe,’ ‘glory,’ and ‘gratitude’ were the only words that
 remained relevant.”
