mysteriously     drained     of  merit.  It’s    no  longer  worth   the
trouble.    To  therapists, this    surge   of  sudden  disinterest (“It
doesn’t  matter”)    is  a   routine     coping  device  employed    to
deny    pain    and ward    off vulnerability.
Adults  who grew    up  in  dysfunctional   homes   learn   to  use
this    coping  device  very    well.   They    call    it  detachment, but it
is  actually    a   numbing out.
“He forgot  my  birthday.   Oh, well,   no  big deal.”
A   lifetime    of  this    kind    of  experience, in  which   needs   for
recognition are routinely   dishonored, teaches a   young   child
that    putting anything    out for attention   is  a   dangerous   act.
“Dragging    home    the     invisible   bone”   is  how     one
recovering   artist  characterized   her     vain    search  for     an
achievement big enough  to  gain    approval    in  her family  of
origin. “No matter  how big a   deal    it  was,    they    never   seemed
to  take    much    notice. They    always  found   something   wrong
with    it. All A’s and one B   and that    B   got the attention.”
It  is  only    natural that    a   young   artist  try to  flag    parental
attention   by  way of  accomplishments—positive    or  negative.
Faced   with    indifference    or  rage,   such    youngsters  soon    learn
that    no  bone    would   really  meet    with    parental    approval.
Often    we  are     wrongly     shamed  as  creatives.  From    this
shaming  we  learn   that    we  are     wrong   to  create.     Once    we
learn    this    lesson,     we  forget  it  instantly.  Buried  under  it
doesn’t matter, the shame   lives   on, waiting to  attach  itself  to
our  new     efforts.   The  very    act     of  attempting  to  make    art
creates shame.
                    
                      axel boer
                      (Axel Boer)
                      
                    
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