Basic Music Theory: How to Read, Write, and Understand Written Music

(Barré) #1

Interlude: Conducting


Eye contact is a double-edged sword. It won’t matter how fiercely the
conductor looks at the musicians, or how flamboyantly his or her arms
wave if the musicians don’t look up from their music. Ever wonder why
choirs memorize their music?

Conducting Patterns


The right arm gives each beat in each measure. Each meter has a different
pattern for the right arm. The first one you’ll learn is the most common
pattern, the one for 4/4 time.
Each diagram that you see is given from the conductor’s point of view.
You’ll get the right movement if you simply trace the pattern in the air.
With all patterns, beat one is always given straight down. Your arm is out
in front of you and travels from the level of your head down to the level
of your chest.
Be sure to make each beat obvious. Do this by giving a small sharp
bounce with the hand on each beat.
It takes a little practice to make each pattern look natural, so keep at it.
You can learn a lot by watching other conductors, and you might notice
that the more accomplished the conductor, the more difficult it will be to
determine exactly which pattern he or she is using. Call it creative
license.

Example 27.1 The conducting pattern for 4/4 time.


beat 2 beat 1 beat 4 beat 3

starting point ending point
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