COSTUME
Textures and.Patterns
THIS CLASS FOCUSES ON how to draw textures through the
collection of fabric, pattern, and embroidery samples from a
costume museum. This formal method, using ruled squares,
can create an invaluable library of ideas and information
for future reference—when painting a clothed figure, or
preparing a textile project, for example. However, if making
a book of samples for a project, remember that it is important
to also include collages of found materials (see pp.230-31)
and to experiment more loosely with mixed media.
To draw a fabric texture, begin by concentrating on how
you imagine it would feel if you touched it. Decide if it
would be rough, smooth, warm, cold, thick, thin, tough,
or fragile, for example. As you draw, believe you can feel
these qualities at your fingertips and that your pencil is
responding to the sensation. Undulate the pressure of your
lines and marks according to the feeling of the fabric rather
than its appearance. Let your pencil enact the sensation of
touching its surface.
INVENTING COSTUMES
This starchy, quilted, bowed creation started life as an imagined corset, I intended to
draw together in one sculptural form a range of the details opposite. The garment
quickly got out of hand. There is great enjoyment in letting your imagination run
wild when inventing costumes. If you are unable to visit a costume museum, many
exciting fabric details and textures can be found in your own closet or home.