Pieuvre (Octopus) 28, 28
Two Impressions from a
Cut-out Paper Disk 222
Huyler Stephen R 225illumination see lighting
Illustration for Jacques Fath
(Gruau) 160, 160
In the Duchess's Kitchen (Rackham)
176, 177
influences, artistic 240-241, 252
ink 16, 34-35
acrylic 35
bistre 35, 243
carbon 35
Chinese 30, 34, 35, 248, 249
and gouache 30
Indian 35,276, 234
iron-gall 35, 36, 159
Japanese 35
to make 36
sepia 35
walnut 36, 83
white 122
ink impressions 222
ink spatters 234
installations 176, 176, 220,- 230
invented creatures 250-251
invented objects 89, 99,
106-107
J
justness 228-229
K
Kinecar,The (Robinson) 108, 181
Klee, Paul 227
Polyphonic Setting for White
226, 227
Scene of Comical Riders 30, 31
Klimt, Gustav 49
Knopf, Johan 32,33
Mysterious Affairs of the
Murderous Attacks 33
Kollwitz, Kathe 181
Losbrunch (The Outbreak) 180, 181L
Kettlehut, Erich 73
design for Metropolis 72, 73Kigell, Phyll: hands 18
Landline (Bryan) 202, 203
landscape 206-208
brushed 14
Landscape in Hoboku Style
(Sesshu) 14
layers 146
chalk 53
gouache 30
ink 28, 37
lines 118
pastel 162
pencil 31, 54
silver point 156
leg sections 158
length, apparent 97
Leonardo da Vinci 74,109, 201
Archimedes' Screws and Water
Wheels 12, 13
Cloudburst of Material
Possessions 200, 201
head and neck sections of
female mold for Sforza
Horse 89
Madonna of the Rocks 244
perspective study for Adoration
of the Magi 74, 76
Libeskind, Daniel 70
Arctic Flowers 70
Lieb, Marie 244
cloth drawing 244, 244
lifting out 204, 205, 242
light 96
to depict 48,112,115
drawing with 1 76
painting with 176lighting 2 7, 72,96,102,104,120,167
line(s) 132, 220,227
to "bend" straight 97
compositional 228-229
cut 202, 203, 220, 221
endless 31
free 113, 114
hatched 244
layered 118
pace of 65
pale 40
rapid 49,124, 166, 183
vertical 156
linear distance 97
linear perspective 69, 74-77, 78
lithograph 198
Losbruch (Kollwitz) 180, 181
luminosity 115
Lynch, David 78Mackintosh, Charles Rennie 48, 49
Rose 49
Maelbeke Madonna (Van Eyck)
156, 156
magnification 93
Man in Armor (Van Dyck)
158, 158
Man Lying Down in a Cloak
(Flaxman) 156, 757
mandalas 219, 225
masking tape 204, 205
masterworks, drawing from
126-127, 170-173, 252-253
Matisse, Henri 111
Blue Nude 1 110, 111, 163
pens 36
measuring 116
memory, drawing from 183,
789, 190
metal pens see dip pens
metal point 25,141, 756
priming for 140,141
Metropolis (film) 72, 73
Michelangelo Buonarroti
98,109, 244
Dragon 36, 244, 244
ink 36Study ofThree Male Figures
110, 110
Sistine Chapel ceiling 116
Middle Eastern drawing 50-51, 77
Miller; Rose: Tantalus or the Future
of Man 20
minimal line drawing 99
mirror use of 120
mixed media 28, 226
Modernism 67, 219
Mondrian, Piet 52, 53
Tree II 52, 53
monoprint 787,182
Moore, Henry 178
Crowd Looking at Tied-Up
Object 178, 178
motifs: Art Nouveau 9 7
stylized 51
mountains 216-217
movement: of animals 30-31
of humans 7 79, 184, 185
Mucha, Alphonse 90,91
Study for Plate 59 of
Documents Decoratifs 90,
97
Murillo, Bartolome: Moses Striking
the Rock ofHoreb 252, 252
Muscles of the Head and Neck
(Durelli) 134, 135
museums 44,166
La Specola, Florence 128
lighting in 167
Pitt Rivers, Oxford 106
Prado, Madrid 171
University Museum of Natural
History, Oxford 250
music 70-71
Mysterious Affairs of the Murderous
Attacks (Knopf) 32, 33naive art 74
negative space 53, 58-59, 60,
63, 103
Neolithic chalk tablet 220, 227
Newsome, Victor 134
Profile Head 134,134INDEX
I
N
M