(^470) Bibliography
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Bromwich, David. A Choice of Inheritance: Self and Community from Edmund
Burke to Robert Frost. Cambridge, MA: Harvard University Press, 1989.
———. Skeptical Music. Chicago: University of Chicago Press, 2001.
Bush, Ronald. T.S. Eliot: A Study in Character and Style. New York: Oxford
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———. The Genesis of Ezra Pound’s Cantos. Princeton: Princeton University
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Casillio, Robert. The Genealogy of Demons: Anti-Semitism, Fascism, and the
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Cohen, Milton A. Poet and Painter: The Aesthetics of E.E. Cummings’s Early
Work. Detroit: Wayne State University Press, 1987.
Cook, Eleanor. Poetry, Word-Play, and Word-War in Wallace Stevens.
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Costello, Bonnie: Marianne Moore: Imaginary Possessions. Cambridge, MA:
Harvard University Press, 1981.
Crawford, Robert. The Savage and the City in the Work of T.S. Eliot. Oxford:
Clarendon Press, 1987.
DiBattista, Maria and Lucy McDiarmid, eds. High and Low Moderns: Literature
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Dijkstra, Bram. The Hieroglyphics of a New Speech: Cubism, Stieglitz and the
Early Poetry of William Carlos Williams. Princeton: Princeton
University Press, 1969.
Donoghue, Denis. Connoisseurs of Chaos: Ideas of Order in Modern American
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DuPlessis, Rachel Blau. H.D.: The Career of that Struggle. Brighton:
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Edelman, Lee. Transmemberment of Song: Hart Crane’s Anatomies of Rhetoric
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Filreis, Alan. Modernism from Right to Left: Wallace Stevens, the Thirties, and
Literary Radicalism. Cambridge: Cambridge University Press, 1994.
Kermode, Frank. Wallace Stevens. London: Oliver and Boyd, 1960.
Friedman, Norman. e.e. cummings: the art of his poetry. Baltimore: Johns
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Fussell, Paul. The Great War and Modern Memory. New York: Oxford
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sean pound
(Sean Pound)
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