Posing for Portrait Photography

(Martin Jones) #1
The same lighting procedure can be used in the case of the man
who wanted to show off his chiseled abs. By turning the body just
enough toward the shadow side of the frame, you will create shad-
ows in each recessed area. The larger the shadows, the larger the
muscles look. For a final touch, a kicker light can be used from the
side of the body—but make sure not to light up the shadows that
you have just created. You want to make sure to keep the light at a
low enough angle to just skim over the area you want highlighted.

The Waistline.

Angle to the Camera.As we have already discussed, the widest view
of the waistline is when the body is squared off to the camera. The
narrowest view of the waistline is achieved when the body is turned
to the side. So the more you turn the waist to the side, the thinner
it appears—unless there is a round belly that is defined by doing so.

Seated Subjects.A common problem with the waistline occurs
when the subject is seated and the folds of skin (or stomach) go over
the belt. Even the most fit, athletic person you know will have a roll
if you have them sit down in a tight pair of pants. There are two
ways to fix this problem. First, have the subject straighten their back
THE BUSTLINE AND THE WAISTLINE 71

Women always want their waistlines to appear as thin as possible. Switching from a straight-on pose (left) to a pose with the body turned (right)
helps to slim the waist.


The larger the shadows, the larger

the muscles seem to be.
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