this, any woman who worries about weight will automatically
choose to take everything from the waist up.
With carefully chosen words,
clients can easily be led in the
proper direction. As I’ve noted
previously, we have clients pre-
select the poses and background
they want done in their session.
Then, I will pose myself show-
ing them the pose they have
selected and additional poses
that would also look good
for the clothing and the back-
ground they have selected. If I
know one of the poses would be
best suited for the client, I use
the same tactic described above.
When I get to the pose that will
slim their hips, I simply say,
“Most woman worry about
their hips and thighs looking as
thin as possible, in posing this
way, the hips and thighs look
thinner. Now, which pose would
you like to do?” Without excep-
tion, the slimming pose is the
one that every woman will
select—unless the subject is very
thin.
Slimming the Hips and Thighs.
Standing Poses. The first basic
rule is never to square off the
hips to the camera. This is obvi-
ously the widest view. In standing posing, rotate the hips to show a
side view, turning them toward the shadow side of the frame if
weight is at all an issue.
In standing poses, photographers often shift the weight of the
hip to accent the hip closest to the camera. This works with a very
thin or very curvy woman, but it enlarges the bottom and thigh,
which isn’t salable for 90 percent of women.
Just as the arms shouldn’t be posed next to the body, legs (at the
thighs) should never be posed right next to each other in standing
HIPS AND THIGHS 79
Most women are at least a little worried
about the way their hips and thighs will look
in their portraits. A simple solution? Don’t
shoot images that show them.