ThePrinciplesatWork:InPursuitofExcellence
Thephotographerdeliberatelyavoidedcatchingavisualcrestofinterestinthepictureatleft.choosingtoexposeinsteadatwhatseemstobearandominstant,withtheoldmanpartlyhiddenundertheboardmghousestairsSuchdepictionof"random"timeconveysanordinary,uncontnvedsortofperception.Andbyleavingoutsomethingexpected—
theheadofthesubject,inthis
case—-
joltstheviewerawake,/ustassuddensilencecandisturbacitydwellerusedtoconstantnoise.In
aportraitofthenovelistAldousHuxley,thesubjectisagainhalf-hidden—
butnot,asatleft,inanefforttoconveycasualperceptionHere,theclevernessandpithystatementareparamount.Huxley, ascathingsatirist,isshownspyingontheworldwithonebespectacledeye—
andquitereadytodivebackintohiding.Thephotographerplaced
alightbehindHuxley
sohisshapecouldbeseenthroughthethincurtain.suggestingthathewillbetherewatchingandlisteningevenwhenthecurtainisclosedlb
ROBERTFRANKRooming
Housein
LosAngeles, 1955