ThePrinciplesat
Work:InPursuitofExcellenceSoftlocusandsubtlegradationoftoneaidintheexpressionofaclassicalsubject—twowomen
photographedtosuggesttheyarewatchingtheburningofRomeInthepictonalisttraditionofsimulating19thCenturypainting,thephotographersresponsetothesubjectishighlyromantic—
andisexpressedinthelanguorousposeofthewomen,thealmostliquidflow oftheirgowns,andthelambentlight(presumablyfromflaminghouses)playingoverthescene.Attheoppositepolefromromance,thepictureofWelshcoalminersisallgrit,gnmnessandhostility.Thegroupingofthemenagainstthebackgroundoftheirrow housesseemstobelongtoatraditionalsortoftimelessportraiture.Yettherestlessnessoftheirmood,indicatedbythedefiantcigaretteandtheavertedeyes,markstheminersasprisonersoftheirtimeandplaceGEORGEHSEELEY.TheBurningofRome. 1906