WhattheCameraSees:ElementsonDisplayVividForms
Framinghissubjectagainsttheskytoemphasizeitsform,AaronSiskindconverts
apair offeetintoanintricately
balancedsculpturethatmighthavebeencarvedbywindorwater.Inmakingapicture,Siskindsays,"Iwantittobeanaltogethernew
object—
completeandself-contained'."AARONSISKINDFeet, 1957Form,liketexture,is
athree-dimensional
quality;torevealitinatwo-dimensional
picture,the
photographermustbealert
tothefeaturesofapicturethatconvey
thedepthinasubject—
aboveall,
thewaythat
lightandshadowfallacrossa
scenetobringoutallofthecontours.Form
maybeaccentuatedtoexpressasubject'sidentityandfunction,asinthestatuesqueimageatright.Ontheotherhand,formmaybeemphasizedforitsownsake,simply
tocelebratetheintrin-sicvisualinterestofanobject'scontours.Thehumanfeetaboveweredeliber-atelyremovedfromtheiranatomicalcon-texttoarriveatanimagethatattemptsnoliteralcommunicationbutissimplyastrikingarrangementofsolidobjects.