Differentials: Poetry, Poetics, Pedagogy

(sharon) #1

and T. V. F. Brogan (Princeton, NJ: Princeton University Press, 1993), 14. The article
on African poetry is by George Lang.



  1. Christian Bök, Eunoia (Toronto: Coach House Books, 2001), 103. All further
    page references are to this edition.

  2. As of the preparation of the present text, the headnote and complete text of
    “Via” have not yet been published.

  3. How 2 1, no. 6 (2001). The Web site is http://w w w.scc.rutgers.edu/however/
    v1 6 2001/current/in-conference/bergvall.html.

  4. An excerpt from “About Face” is published as an appendix to my interview
    with Caroline Bergvall, “ex/Crème/ental/eaT/ing,” Sources: Revue d’études Anglo-
    phones: Special issue, “20th-Century American Women’s Poetics of Engagement,” 12
    (spring 2002): 123–35. Like “Via,” “About Face” will appear in Bergvall’s new book,
    Mesh.

  5. E-mail from Caroline Bergvall to me, 14 March 2003.

  6. See Retallack’s “Narrative as Memento Mori” in essay 9 of the present text.

  7. Hugh Kenner, “Something to Say,” A Homemade World: The American Mod-
    ernist Writers (New York: Alfred A. Knopf, 1975), 60.


Chapter 12


  1. Tom Raworth, Visible Shivers (Oakland, CA: O Books, 1987).

  2. Raworth is evidently the oldest living open-heart surgery survivor, treated in
    the UK in the ¤rst round of heart operations conducted there in the ¤fties. The sur-
    gery for atrial septal defect (the most benign and common form of congenital heart
    disease), which then took eight hours to perform, is now no longer necessary; gener-
    ally, the defective opening can be closed without subcutaneous incision.

  3. I owe this and much other incidental information about speci¤cs of English
    culture in these years to Nate Dorward.

  4. John Barrell, “Subject and Sentence: The Poetry of Tom Raworth,” Critical
    Inquiry 17 (winter 1991): 386–409, see 393.

  5. Tom Raworth, Contemporary Authors Autobiography Series, vol. 11, ed. Mark
    Zadrozny (Detroit: Gale Research Group, 1990), 297–311.

  6. See e-mail from Tom Raworth to me, 22 October 2002. Ellipses are Raworth’s.


Chapter 13


  1. Rae Armantrout, The Pretext (Los Angeles: Green Integer, 2001).

  2. Since this essay was completed, Armantrout has published Veil: New and Se-
    lected Poems with the Wesleyan University Press (2001), and a second collection is
    forthcoming from Wesleyan in 2004. If this move from small presses to Wesleyan is
    not exactly the imprimatur of the Establishment, it nevertheless marks a new level
    of success for Armantrout’s poetry.


Notes to Pages 216–244 297

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