index
fury, and battlefield poems (cont.)
andVietnam War poetry 568–9, 570–1,
572–5
and witnessing 568–70
Fussell, Paul 33, 103, 127, 150, 363, 493
and First World War poetry 35, 437, 468
influence of 300
and homoeroticism 312
and literature and life 136
on Longley 554
andIn Parenthesis(Jones) 136–7
and pastoral poetry 462
and Second World War poetry 307–8
and Shakespeare 136
and war writing tradition 142, 151
Futurism 449
and Benjamin’s criticism of 518
Gaelic:
and George Campbell Hay 331–4
and Sorley MacLean 326–30
Gaelic League 228, 230
Gallagher, John 562
Gardner, Brian 102, 318
and Second World War poetry 436, 439, 440
The Terrible Rain363, 516
Garfitt, Roger 534
Garioch, Robert 318, 337–9
‘During a Music Festival’ 337, 339
‘Kreigy Ballad’ 338
‘Letter from Italy’ 338
‘The Bog’ 338
‘The Muir’ 338
‘The Prisoner’s Dream’ 337–8
‘The Wire’ 338, 339
Two Man and a Blanket 337
Gascoyne, David 371, 434
Gaudier-Brzeska, Henri 228
Gautier, Th ́eophile 201
gender, and First World War literary
history 102–5
see alsowomen
Gershon, Karen 597, 598–9, 600, 604, 607, 608,
611
‘A Jew’s Calendar’ 608
‘Afterwards’ 612
‘Home’ 611
‘I Was Not There’ 608–9, 611
‘Race’ 611
‘The Children’s Exodus’ 607
‘The Town’ 611
Gervais, David 146
Gibson, Rev J. G. 425
Gibson, W. W. 429, 430
Gilbert, Sandra M 602
Gill, Eric 184
Gillie, Christopher 559
Ginsberg, Allen 568, 642
‘America’ 618
Gissing, George 40
Gladstone, W. E. 195, 229
Goebbels, J. 596–7
Goldberg, S. L. 294 n54
Goldman, Dorothy 104, 112
Gollancz, Israel 139–40
Gollancz, Victor 248
Gonne, Iseult 230
Gonne, Maud 229, 230, 231, 234–5, 236, 238,
241, 474
Gordon, Lyndall 620
Gore-Booth, Eva 429
Goya, Francisco 684–5, 686
Graham, Desmond 363, 441, 533, 534
on Douglas 411
on Owen 115
Graham, Jorie 665
Gramsci, Antonio 322
Grant, Linda 609
Granville-Barker, Harley 44
Graves, Robert 74, 102, 120, 415
and attitude towards war 220
and isolation of 225
and modernist poetry 225
and Owen 124
and poetic principles 213, 221
and poet’s autobiography 224–5
and post-war influence 220
and post-war poetic ambitions 212–13
and reality of war 219
and Sassoon 209–10
accounts of first meeting 210–12
acrimony between 222
aesthetic differences 216
breakdown of relationship 222–3
different attitudes to poetic
tradition 214–15
imagined future 214
meaning of home 214
protest letter of 221–2
relationship between 212
verse letters between 215–16
and self-serving aspect of 211
and self-suppression of war poems 218
and Shakespeare 138
and trench experience 76
and truth 224
and violence and poetry 219
and war poetry 423